This Much I Know to Be True (2022) [NR]

Release Date:
May 11, 2022

Original Title:
This Much I Know to Be True

Alternate Titles:
Nick Cave ja Warren Ellis - kogu tõde muusikast
Tik daudz es zinu

Genres:
Documentary | Music

Production Companies:
Uncommon Creative Studio

Production Countries:
United Kingdom | United States of America

Ratings / Certifications:
DE: 12  GB: 15  IE: 15  US: NR 

Runtime: 105

Like all musicians in 2021, Nick Cave was unable to connect with his audience in person. He uses this concert film to break the vocal and instrumental silence, talk about himself and perform songs from “Ghosteen” and “Carnage”, with help from Warren Ellis.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Additional Editor:
Isaac Hoff
John O'Hara

Assistant Editor:
James M.H. Wong

Digital Imaging Technician:
Phoebe Fraser

Director:
Andrew Dominik

Director of Photography:
Robbie Ryan

Editor:
Matthew C. Hart

Executive Producer:
Beth Clayton
Brian Message
Charlie Gatsky Sinclair

Mix Technician:
Morgan Crawford
Fergus Pateman
Jasper Thorn

Musician:
Luis Almau

Original Music Composer:
Nick Cave
Warren Ellis

Post-Production Manager:
Anna Maros

Producer:
Isaac Hoff
Amy James

Second Assistant "A" Camera:
Chrys Antoniou

Second Assistant "B" Camera:
Rory Power

Senior Colorist:
Andrew Francis

Sound Assistant:
Philip Walker

Sound Re-Recording Mixer:
Adam Scrivener

Sound Recordist:
John Currie

Thanks:
Scott Robertson
Salina Zaher

Title Designer:
Tom Hingston

Visual Effects Supervisor:
Sam Brady

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.