A work in constant progress (and occasional regress).
Release Date:
December 13, 2023
Original Title:
Quitter la nuit
Genres:
Drama
Production Companies:
Colonelle Films
Haut et Court
Proximus
RTBF
The Reunion
VOO
Versus Production
Production Countries:
Belgium | Canada | France
Ratings / Certifications:
BE: 12
Runtime: 108
One night, a woman in danger calls the police. Anna takes the call. A man is arrested. Weeks go by, the courts are looking for evidence, Aly, Anna and Dary have to deal with the echoes of that night they can't shake off.
ADR Supervisor:
Natalie Fleurant
Art Direction:
Eve Martin
Assistant Art Director:
Laure Belkhiri
Assistant Costume Designer:
Patricia Saive
Assistant Location Manager:
Julien Glasmacher
Assistant Set Decoration:
Charlène Sales
Best Boy Electric:
Alisson Keyaert
Best Boy Grip:
Dominique Degand
Boom Operator:
Lucas Le Bart
Co-Producer:
Lukas Dhont
Costume Design:
Oriol Nogues
Director:
Delphine Girard
Director of Photography:
Juliette Van Dormael
Editor:
Damien Keyeux
Electrician:
Noé Souchaud
Executive Producer:
Gwennaëlle Libert
First Assistant Camera:
Amandine Mahieu
First Assistant Director:
Hélène Karenzo
Gaffer:
Emilien Faroudja
Grip:
Thiméon Lepers
Key Grip:
Nicolas Boucart
Location Manager:
Aurore Benoit
Location Scout:
Catherine Goffin
Makeup Department Head:
Saori Matsui
Original Music Composer:
Sébastien Monnoye
Post Production Supervisor:
Thomas Meys
Production Director:
Caroline Tambour
Production Manager:
Caroline Tambour
Script Supervisor:
Morgane Aubert-Bourdon
Second Assistant Camera:
Thomas Routiaux
Second Assistant Director:
Florence Gilson
Sound Engineer:
Pablo Villegas
Sound Mixer:
Pablo Villegas
Sound Re-Recording Mixer:
Bernard Gariépy Strobl
Third Assistant Director:
Gaspard Le Dourner
Video Assist Operator:
Victor Darimont
Writer:
Delphine Girard
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.