A work in constant progress (and occasional regress).
Release Date:
September 4, 2011
Original Title:
L'arrivo di Wang
Alternate Titles:
L'arrivo di Wang
The Arrival of Wang
Wang's Arrival
Genres:
Mystery | Science Fiction | Thriller
Production Companies:
Manetti Bros. Film
Pepito Produzioni
Production Countries:
Italy
Ratings / Certifications:
GB: 15 IT: NR
Runtime: 80
Chinese-language interpreter Gaia is called up out of the blue by the Italian authorities with an urgent and confidential translation assignment. She is whisked away to a secret underground location and ushered into a pitch-black room where she is asked to interpret the harsh interrogation of a mysterious presence, the eponymous Mr. Wang.
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3D Generalist:
Gabriele Filippelli
Alessandro Lolli
3D Modeller:
Manuel Manfredi
Salvatore Fiore
Art Direction:
Noemi Marchica
Assistant Camera:
Eleonora Deidda
Assistant Costume Designer:
Emanuela Di Vita
Assistant Editor:
Alfredo Alvigini
Boom Operator:
Luigi Marani
Camera Operator:
Antonio Manetti
Compositor:
Diego Arciero
Corrado Rizzo
Gian Luca Rizzo
Roberto Proietti
Construction Coordinator:
Pierluigi Manetti
Costume Design:
Emanuela Di Vita
Costumer:
Patrizia Mazzon
Digital Compositor:
Tommaso Fioretti
Director:
Antonio Manetti
Marco Manetti
Director of Photography:
Alessandro Chiodo
Editor:
Federico Maria Maneschi
Electrician:
Paolo Verilli
First Assistant Director:
Claudio Lullo
Foley Artist:
Sergio Basili
Foley Mixer:
Massimo Rocchi
Grip:
Massimo Dalla Pozza
Makeup Artist:
Francesca Lodoli
Music:
Aldo De Scalzi
Producer:
Marco Manetti
Antonio Manetti
Production Manager:
Claudio Lullo
Second Assistant Camera:
Andrea Mondati
Sound Effects Editor:
Antonio Tirinelli
Special Effects:
Roberto Ricci
Still Photographer:
Barbara Oizmud
Stunt Coordinator:
Alessandro Borgese
Visual Effects Coordinator:
Paolo Zeccara
Visual Effects Producer:
Vito Picchinenna
Visual Effects Supervisor:
Simone Silvestri
Writer:
Marco Manetti
Antonio Manetti
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.