A work in constant progress (and occasional regress).
Release Date:
November 22, 2023
Original Title:
서울의 봄
Alternate Titles:
12.12 : The Day
12.12 THE DAY
Seoul Spring
Spring of Seoul
汉城之春
首尔之春
首爾之春
Genres:
Crime | Drama | History | Thriller | War
Production Companies:
Hive Media Corp
Production Countries:
South Korea
Ratings / Certifications:
GB: 15 HK: IIA KR: 12
Runtime: 142
After the assassination of President Park, martial law has been declared. A coup d’état bursts out by Defense Security Commander Chun Doo-gwang and a private band of officers following him. Capital Defense Commander Lee Tae-shin, an obstinate soldier who believes the military should not take political actions, fights against Chun Doo-gwang to stop him. The conflict between the two grows while military leaders are holding their decision and Defense Minister is gone. In the midst of chaos, the spring of Seoul that everyone longed for heads to unexpected direction.
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"C" Camera Operator:
Kim Byung-seo
Adaptation:
Lee Ji-min
Kim Seong-tae
Assistant Director:
Kim Min-beom
Costume Design:
Kwak Jung-ae
Digital Intermediate:
Park Jin-young
Director:
Kim Sung-soo
Director of Photography:
Lee Mo-gae
Editor:
Kim Sang-bum
Executive Producer:
William Kim
Hong Jeong-in
Grip:
Hong Jeong-won
Lighting Director:
Lee Seong-hwan
Line Producer:
Yang Eun-jeong
Makeup & Hair:
Son Eun-ju
Martial Arts Choreographer:
Jung Youn-hyeon
Moon Gwang-sik
Original Music Composer:
Lee Jae-jin
Producer:
Lee Yong-su
Kim Jin-woo
Production Design:
Jang Geun-yeong
Eun Hee-sang
Production Sound Mixer:
Cho Min-ho
Props:
Park Jun-yong
You Cheong
Screenplay:
Kim Sung-soo
Hong Won-chan
Lee Young-jong
Hong In-pyo
Set Decoration:
Kim Jung-gon
Sound Supervisor:
Choi Tae-young
Special Effects Makeup Artist:
Hwang Hyo-kyun
Lee Hee-eun
Kwak Tae-yong
Special Effects Supervisor:
Jung Do-ahn
Jo Gyeong-gyu
Im Jong-hyeok
Special Props:
Eom Se-yong
Still Photographer:
No Ju-han
VFX Supervisor:
Cheong Jai-hoon
Shin Dae-yong
Jo Gyeong-hun
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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