A work in constant progress (and occasional regress).
Release Date:
December 6, 1985
Original Title:
Spies Like Us
Alternate Titles:
(S)pionnen
Genres:
Adventure | Comedy
Production Companies:
AAR Films
Warner Bros. Pictures
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: PG DE: 12 FR: U GB: PG JP: G NL: 6 SE: 15 SK: 12 US: PG
Runtime: 102
Two bumbling government employees think they are U.S. spies, only to discover that they are actually decoys for nuclear war.
ADR Editor:
Alan L. Nineberg
Animal Coordinator:
Greg Powell
Animal Wrangler:
Greg Powell
Assistant Art Director:
Jim Morahan
Assistant Editor:
Andrew MacRitchie
Pattye Rogers
Margaret Adachi
Anna Ksiezopolska
Lisa Zeno Churgin
Assistant Sound Editor:
Chris Ksanznak
Associate Producer:
Leslie Belzberg
Sam Williams
Boom Operator:
Donald Banks
Camera Operator:
Chic Anstiss
John Palmer
Kenneth J. Withers
Casting:
Marion Dougherty
Debbie McWilliams
Color Timer:
Bob Noland
Construction Manager:
John Paterson
Costume Design:
Deborah Nadoolman Landis
Director:
John Landis
Director of Photography:
Robert Paynter
Editor:
Malcolm Campbell
Executive Producer:
Bernie Brillstein
First Assistant Director:
Dusty Symonds
David Sosna
Focus Puller:
David Budd
Ted Deason
Gaffer:
John May
Grip:
W.C. 'Chunky' Huse
Tony Turner
Hairdresser:
Stephanie Kaye
Carole Bennett
Line Producer:
Mohamed Seddik Bouabid
Location Manager:
Peter Elford
Stuart Neumann
Nigel Goldsack
Rufus Andrews
Makeup Artist:
Pauline Heys
Frank Griffin
Linda DeVetta
Matte Painter:
Ray Caple
Music Editor:
Kathy Durning
Negative Cutter:
Donah Bassett
Orchestrator:
Christopher Palmer
Original Music Composer:
Elmer Bernstein
Producer:
George Folsey Jr.
Brian Grazer
Production Accountant:
Janet L. Wattles
Production Coordinator:
Pam Cornfeld
Marlene Butland
Production Design:
Peter Murton
Terry Ackland-Snow
Production Manager:
Claude Hudson
John Palmer
Production Supervisor:
Dan Allingham
Screenplay:
Dan Aykroyd
Babaloo Mandel
Lowell Ganz
Script Supervisor:
Pamela Carlton
Second Assistant Director:
Gareth Tandy
Second Unit Director:
David Garfath
Second Unit Director of Photography:
Brian West
Set Dresser:
Hugh Scaife
Sound Assistant:
David Motta
Sound Editor:
Samuel C. Crutcher
Jerry Stanford
Larry Carow
Richard C. Franklin
Chuck Neely
Howard Neiman
Sound Mixer:
Ivan Sharrock
Sound Re-Recording Mixer:
Robert 'Buzz' Knudson
Don Digirolamo
Robert Glass
Special Effects:
Brian Johnson
Still Photographer:
Keith Hamshere
Stunt Coordinator:
Paul Weston
Stunts:
Greg Powell
David Forman
Michael DeLuna
Jason White
Malcolm Weaver
Peter Brace
Lex Milloy
Terry Forrestal
Stuart Fell
B.J. Worth
Terry Cade
Nick Wilkinson
Rocky Taylor
Ken Buckle
Colin Skeaping
Clive Curtis
Alan Chuntz
Gerard Naprous
Supervising ADR Editor:
Larry Singer
Supervising Art Director:
Terry Ackland-Snow
Supervising Sound Editor:
Charles L. Campbell
Thanks:
Elizabeth II of the United Kingdom
Max Landis
Third Assistant Director:
Nick Heckstall-Smith
Unit Manager:
Christopher Knowles
Unit Production Manager:
Dan Allingham
Unit Publicist:
Susan d'Arcy
Visual Effects Producer:
Jim Michaels
Visual Effects Supervisor:
Derek Meddings
Wardrobe Supervisor:
Sue Wain
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.