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Missing Home (2022) [N/A]

Release Date:
June 2, 2022

Original Title:
Ngeri-Ngeri Sedap

Genres:
Comedy | Drama

Production Companies:
Imajinari
Visionari Capital

Production Countries:
Indonesia

Ratings / Certifications:
 N/A

Runtime: 114

Overview from TheMovieDB

A married couple stages their divorce in order to encourage their estranged adult children to return to their hometown.

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Additional information:

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Trailer

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Performers

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Production

"B" Camera Operator:
Suharja Nasrun

Art Direction:
Ezra P. Tampubolon

Assistant Accountant:
Ivonny Rahmawati

Assistant Art Director:
Iksandy Septian
Aji Purnomo

Assistant Camera:
Jogie Nadeak

Assistant Costume Designer:
Garbo Rujito
Deni Sofyan Hidayat

Assistant Editor:
Rizkia Putri Affianto

Assistant Grip:
Darto Subroto

Assistant Makeup Artist:
Nurul Novita Sari
Sri Puady Muthmainnah

Assistant Sound Editor:
Surya Sudarmaji
Buggy Adrianto

Assistant Unit Manager:
Margareth Maria Marannu Sarungallo

Boom Operator:
Onet Zulfikar

Casting Assistant:
Jahur Muhammad Ali Ahmadin
Ilham Setiawan

Casting Coordinator:
Jahur Ahmad

Casting Director:
Juandini Liesmita

Clapper Loader:
Sandi Muharam

Co-Producer:
Shavira Mayola Manurung

Colorist:
Andhy Pulung

Continuity:
Septyan Hari Luqman

Costume Designer:
Aldie Harra

Costume Supervisor:
Icha Adeline

Dialogue Editor:
Syaifullah Praditya

Digital Conform Editor:
Agus Gupuh Prakoso
Riko Hardoyo

Digital Imaging Technician:
Septo Hari Wibowo

Director:
Bene Dion Rajagukguk

Director of Photography:
Padri Nadeak

Drone Pilot:
Yanuarudin Mukhlis
Ginanjar Satrio Wibowo

Editor:
Aline Jusria

Executive Co-Producer:
Jimmy Saputra

Executive Producer:
Angga Dwimas Sasongko
Alfian Hardiansyah

First Assistant Camera:
Rokim

First Assistant Director:
Cathy Catherine

Foley Artist:
Surya Sudarmaji

Foley Mixer:
Hasrullah

Gaffer:
Hari Handoko

Graphic Designer:
Alvin Hariz

Key Grip:
Sodikin

Legal Services:
Suci Asmarini

Lighting Technician:
Jumanto
Wahyu Purnomo
M. Arip Maulana

Line Producer:
Taufik Kusnandar

Location Manager:
Ade Mindarwan

Makeup Artist:
Amalia Cantiqa

Music Arranger:
Donny Zhauroez
Eky Bersuara

Music Director:
Vicky Sianipar

Post Production Coordinator:
Bagus Kurniawan
Luqman Thalib

Producer:
Dipa Andika

Production Accountant:
Raka Aditya Budiarto

Production Manager:
Subur Novianto

Scoring Mixer:
Eky Bersuara

Script Supervisor:
Yusef N. Suherman

Second Assistant Camera:
Fandy Achmad

Second Assistant Director:
Zahra Yuni Alda

Set Decoration:
Eka Sudarma Aji
Yuri Lapiyono
Junedi Simanjuntak
Dinul Anugerah
Ridwan Ainun N.
Joko Hermanto
Jimmy Nicolas Siahaan

Sound Assistant:
Dimas Tirtana

Sound Designer:
Syaifullah Praditya

Sound Effects Editor:
Hasrullah

Sound Re-Recording Mixer:
Syaifullah Praditya

Sound Recordist:
Madunazka

Steadicam Operator:
Sugianto
Didik Riadi

Still Photographer:
Egi Setya Pratama Alhiz

Supervising Sound Editor:
Syaifullah Praditya

VFX Artist:
Mulyan Nuarsa
Fadila Rizki Abadi
Adi Siswanto
Diaz Alfahri
Mohamad Abror
Fajar Rahman S.
Suci Rahimatul Amini
Rifki Sadhikin

Visual Effects Director:
Arief Khoirul Alim
Andhy Pulung

Visual Effects Producer:
Abdul Majid

Visual Effects Technical Director:
Alex Kurdi

Vocals:
Ogar Nababan

Writer:
Bene Dion Rajagukguk

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.