A work in constant progress (and occasional regress).
Release Date:
September 27, 2023
Original Title:
거미집
Alternate Titles:
Cobweb
Geomijip
Ça tourne à Séoul ! Cobweb
韓戲逼人
Genres:
Comedy | Drama | History
Production Companies:
Anthology Studios
Barunson
Barunson E&A
Barunson Studio
Luz y Sonidos
Production Countries:
South Korea
Ratings / Certifications:
AU: M HK: IIB ID: 17+ KR: 15 RU: 18+ SG: M18
Runtime: 135
In the 1970s, Director Kim is obsessed by the desire to re-shoot the ending of his completed film Cobweb, but chaos and turmoil grip the set with interference from the censorship authorities, and the complaints of actors and producers who can't understand the re-written ending. Will Kim be able to find a way through this chaos to fulfill his artistic ambitions and complete his masterpiece?
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"B" Camera Operator:
Hye-jin Jeon
Adaptation:
Kim Jee-woon
Art Direction:
Kim Min-hye
Assistant Director:
Lee Beom-seok
Park Min-woo
Associate Producer:
Lee Dong-jin
Park Ji-sung
Co-Producer:
Choi Jeong-hwa
An Eun-mi
Shin Yeon-shick
Costume Design:
Choi Eui-young
Digital Intermediate:
Park Jin-young
Director:
Kim Jee-woon
Director of Photography:
Kim Ji-yong
Editor:
Yang Jin-mo
Executive Producer:
An Eun-mi
Moon Yang-kwon
Grip:
Hong Gi-tae
Key Grip:
Cho Gi-hun
Lighting Director:
Pak Jun-u
Line Producer:
Kim Gye-rim
Makeup & Hair:
Kim Seo-young
Martial Arts Choreographer:
Jeong Yoon-heon
Music:
Mowg
Producer:
Choi Jae-won
Production Design:
Jeong Yi-jin
Production Sound Mixer:
Ahn Sung-il
Set Decoration:
Jeong In-cheol
Sound:
Choi Tae-young
Special Effects Makeup Artist:
Kwak Tae-yong
Hwang Hyo-kyun
Special Effects Supervisor:
Park Kyoung-soo
Kim Chang-seok
Special Props:
Eom Se-yong
Visual Effects:
Park Seong-jin
Writer:
Shin Yeon-shick
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.