A work in constant progress (and occasional regress).
Release Date:
November 18, 2021
Original Title:
1996, hold-up à Moscou
Genres:
Documentary | History | TV Movie
Production Companies:
ARTE
Les Films du Balibari
Point du Jour
RTS
Sundial Entertainment
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 52
Moscow, January 1996. Boris Yeltsin gets ready to run for a second mandate of the presidency of the young Russian Federation. Polls are in the single digits. A painful economic transition, war in Chechnya, and the rise of criminal groups have left the majority of Russians dissatisfied with Yeltsin… and willing to vote for the communist leader Gennady Zyuganov. Yet six months later, Yeltsin won the election with nearly 54% of the vote. How did that happen?
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Administration:
Fabrice Verrier
Chrystelle Moukouri
Babeth Gbadié
Sophie Guillossou
Animation Director:
Mathieu Courtois
Art Direction:
Léo Régeard
Camera Operator:
Thibault Delavigne
Henry Marquis
Color Grading:
Youen Marivain
Compositing Artist:
Léo Régeard
Delegated Producer:
Luc Martin-Gousset
Director:
Madeleine Leroyer
Documentation & Support:
Elena Zaloguina
Isabelle Debeaumarché
Fabrice Héron
Editor:
Nicolas Peltier
Executive Producer:
Tim Toidze
Graphic Designer:
Léo Régeard
Intern:
Nolwenn Perrault
Lucile Chrétien
Musician:
Jowee Omicil
Original Music Composer:
Benoît Daniel
Olivier Bodin
Post-Production Manager:
Maud Guenoux
Production Assistant:
Ninon Paillard
Production Director:
Gabriel Abenhaim
Armel Parisot
Scientific Consultant:
François Bafoil
Sound Editor:
Pablo Salaün
Sound Mixer:
Jérôme Gonthier
Writer:
Madeleine Leroyer
Tim Toidze
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.