A work in constant progress (and occasional regress).
Release Date:
September 30, 1994
Original Title:
The River Wild
Alternate Titles:
Am wilden Fluß
Dzika Rzeka
O Rio Selvagem
狂野之河
Genres:
Adventure | Drama | Thriller
Production Companies:
The Turman-Foster Company
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
BR: 12 CZ: 12+ DE: 12 FR: U GB: 12 IE: 12 KR: 15 US: PG-13
Runtime: 111
Gail and Tom Hartman are struggling to stay together and decide to take a white-water rafting holiday adventure in Montana for their son Roarke's 10th birthday, only to meet up with a pair of mysterious men whose desperation grows, turning their vacation into a nightmare.
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ADR Coordinator:
Mickie McGowan
ADR Editor:
Gail Clark Burch
Andrea Horta
ADR Mixer:
Chris Tucker
David Boulton
ADR Supervisor:
Larry Singer
Actor's Assistant:
Maggie Pierson
Frances Patterson
Additional Camera:
Paul C. Babin
Additional Photography:
Kim Marks
Art Department Coordinator:
Dawn M. Severdia
Art Direction:
Mark W. Mansbridge
Assistant Accountant:
Katy Tatian-Genovese
Mark Sayles
Assistant Chief Lighting Technician:
James Babineaux
Christopher Lyons
Assistant Costume Designer:
Nina Corbett
Assistant Editor:
Julie Monroe
F. Paul Benz
Mark Livolsi
Assistant Makeup Artist:
Ellis Burman
Assistant Production Coordinator:
Robert G. Endara II
Assistant Property Master:
Howard Fannon
John Sweeney
John Ryan Jr.
William F. McLaughlin
Assistant Sound Editor:
Angie Luckey
Robert Morrisey
Jerry Edemann
Best Boy Grip:
Joe Kelly
Boom Operator:
Mychal D. Smith
Camera Operator:
Michael Stone
Carpenter:
Steven M. Pacheco
Timothy Vierra
Casting Assistant:
Scott Genkinger
Chief Lighting Technician:
Jack English
James Plannette
Co-Producer:
Denis O'Neill
Color Timer:
Stephen R. Sheridan
Construction Coordinator:
Clarence Lynn Price
Construction Foreman:
Edward L. Turk
Costume Supervisor:
Christopher Lawrence
Wingate Jones, Jr.
Costumer:
Meg Goodwin
Paul Kakuschky
Craft Service:
Beverly Burton
David T. Knox
Director:
Curtis Hanson
Director of Photography:
Robert Elswit
Dolly Grip:
Mike Moad
Driver:
Frank 'Cat' Ballou
Tom Cozza
John M. Jarvis
David Goodman
Andrew Mendez
Randy Musselman
Jim Pagnotta
Leroy Reed
Frances Campbell
Hershey Entin
George Hartmann
Thomas E. McDonald
Ronald R. Metcalf
Joseph Kelly Padovich
John Reed
Scott Sampson
Russ Tolliver
Editor:
David Brenner
Joe Hutshing
Electrician:
Erik A. Eriksen
James E. Johnson
Scott Graves
Colleen Kingdon
James B. Musich
Eric Wycoff
Andy Nelson
Executive Producer:
Raymond Hartwick
Ilona Herzberg
Extras Casting:
Connie Mack
First Assistant Camera:
Michael G. Riba
Patrick McArdle
Richard A. Mention
Brian Sullivan
Rob Sweeney
Tom Ryan
First Assistant Director:
Thomas J. Mack
Foley Artist:
John Roesch
Hilda Hodges
Foley Mixer:
Mary Jo Lang
Greensman:
Philip C. Hurst
Robert G. Newhouse
Rene van den Berghe
Grip:
Joseph E. Bates
Brian Devin
Leo Behar
Jerry Koch
Gary Yahn
Hairstylist:
Patricia Vecchio
Key Grip:
Gary Dagg
Jason Poteet
Key Hair Stylist:
Donna Barrett Gilbert
Key Makeup Artist:
James R. Kail
Leadman:
Robert Sica
Loader:
Alfonso Calderon
Location Coordinator:
William Hassell
Marjorie Webster
Location Manager:
Ken Levine
Joel Marx
James Tadevic
Randy Unger
Wayne Mumford
Makeup & Hair:
J. Roy Helland
Makeup Artist:
Richard Snell
Music Editor:
Ken Hall
Music Supervisor:
Carol Fenelon
Negative Cutter:
Gary Burritt
Orchestrator:
Arthur Morton
Alexander Courage
Original Music Composer:
Jerry Goldsmith
Painter:
Roger Anderson
Larry Laurent
Pilot:
Bruce Benson
Cliff Fleming
Post Production Supervisor:
Doreen A. Dixon
Producer:
Lawrence Turman
David Foster
Producer's Assistant:
Debra J. Kleid
Production Accountant:
Kathryn Loraine Hibbs
Production Assistant:
Kevin Bales
Mark Child
Deanna Malyevac
Douglas McGurl
Anita Osterhage
Josh Cherin
Janet Jones
Stacey L. McCormick
Nancy J. Michels
Cat Silcox
Michael Tyndall
Production Coordinator:
Dana Lynne Taylor
Helen Elswit
Cynthia Von Suhr
Production Design:
Bill Kenney
Projection:
Walter McCormick Jr.
Prop Maker:
Charles A. Carlsen
Phil LaFond
Property Master:
Tommy Tomlinson
Sam Moore
Screenplay:
Denis O'Neill
Script Supervisor:
Leslie Park
Judith Saunders
Marilyn Giardino
Patti Dalzell
Second Assistant Camera:
Trent Anderson
David Garden
Dylan Goss
Paul Sanchez
Second Assistant Director:
David Kelley
Second Second Assistant Director:
C.C. Barnes
Second Unit Director:
Max Kleven
Second Unit First Assistant Director:
Robert Schick
Set Decoration:
Rick Gentz
Set Designer:
William Hiney
Set Dresser:
Ron Sica
John Rozman
Set Medic:
Jeffrey D. Stevens
Michael L. Ryan
Sound Editor:
Chuck Neely
Nils C. Jensen
Jeff Clark
Donald J. Malouf
Leonard T. Geschke
Doug Jackson
Albert Gasser
Kerry Dean Williams
Sound Mixer:
Ivan Sharrock
Kirk Francis
Special Effects:
Michael Arbogast
Rich E. Cordobes
Jaime Galindo
William D. Lee
David Blitstein
William Dawson
Elmer Hui
Casey Pritchett
Richard Wood
Special Effects Supervisor:
Roy Arbogast
Stand In:
Phil DeRiemer
Brad Nostrand
W. Logan Hebner
Clayton Scherf
Roland Swenson
Standby Painter:
Joe A. Hawthorne
Paul A. Minitello
Still Photographer:
Melissa Moseley
Studio Teacher:
Richard Wicklund
Stunt Coordinator:
Max Kleven
Stunt Double:
Terry Jackson
Peter Rocca
Stunts:
Kelley Kalafatich
Scott Sproule
Tom Boice
Eric Janes
Billy Bates
Arlene Burns
Tony Epper
John 'Moby' Griffin
Terry Jackson
Tony Jefferson
Ethan Jensen
Gary Jensen
Kay Kimler
Svetla Krasteva
Robert LaPoint
Lisa McCullough
Daniel K. Moore
Denise Lynne Roberts
Peter Rocca
Pete Turner
Birgit K. Schier
Ben Jensen
Supervising Sound Editor:
Charles L. Campbell
Louis L. Edemann
Transportation Captain:
Ronald B. Dinson
Transportation Co-Captain:
Mike Doyle
Transportation Coordinator:
Ed Arter
Travel Coordinator:
Shari LaFranchi Blakney
Unit Production Manager:
Raymond Hartwick
Larry DeWaay
Unit Publicist:
Rachel Aberly
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.