A work in constant progress (and occasional regress).
Release Date:
January 19, 2005
Original Title:
Assault on Precinct 13
Alternate Titles:
Asalto al Distrito 13
Assalto ao 13° Distrito
Assalto à 13ª Delegacia
Assalto à 13ª Esquadra
Assault on Precinct Thirteen
Assaut sur le central 13
Beleiringen: Assault on precinct 13
L'Assaut du poste 13
Masacre en la cárcel 13
Napad na policijsku stanicu
Napad na policijsku stanicu broj 13
Rünnak 13. jaoskonnale
Нападение над участък 13
アサルト13要塞警察
暴火线13
歼灭13区
Genres:
Action | Adventure | Crime | Drama | Thriller
Production Companies:
Biscayne Pictures
Don Carmody Productions
Focus Features
Liaison Films
Outlaw Pictures
Rogue Pictures
Why Not Productions
Production Countries:
Canada | France | United States of America
Ratings / Certifications:
AU: MA15+ BR: 16 DE: 16 ES: 18 FR: 12 GB: 15 GR: 16 IE: 15 KR: 18 NL: 16 US: R
Runtime: 109
On New Year's Eve, inside a police station that's about to be closed for good, officer Jake Roenick must cobble together a force made up cops and criminals to save themselves from a mob looking to kill mobster Marion Bishop.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
3D Animator:
Brian Anderson
ADR Mixer:
Eric Thompson
ADR Recordist:
Matthew McKenzie
Colin McLellan
Chris Navarro
Additional Camera:
Michael Hall
Aerial Camera:
Dave Tommasini
Animal Wrangler:
Jane Conway
Armorer:
Charles Taylor
Art Department Coordinator:
Aeschylus Poulos
Art Direction:
Nigel Churcher
Assistant Art Director:
Jennifer Heimpel
Assistant Camera:
Marcel Janisse
Assistant Location Manager:
Drazen Baric
Assistant Makeup Artist:
Edelgard K. Pfluegl
Assistant Production Coordinator:
Melissa Girotti
Assistant Property Master:
Michael Huschka
Assistant Sound Editor:
Alex Bullick
Associate Editor:
Lara Johnston
Best Boy Electric:
Philip Esteves
Boom Operator:
Denis Bellingham
CG Supervisor:
Kristy Blackwell
Camera Operator:
Mark Hryma
Renato Di Giuseppe
Tony Guerin
Carpenter:
Henry Ilola
Casting:
Billy Hopkins
Suzanne Smith Crowley
Kerry Barden
Robin D. Cook
Casting Assistant:
Paul Schnee
Casting Associate:
Sara Kay
Co-Producer:
James DeMonaco
Color Timer:
Michael Hatzer
Compositors:
Mike Kourtzer
Conductor:
Mario Klemens
Construction Coordinator:
Phillip Tellez
Costume Design:
Georgina Yarhi
Vicki Graef
Costume Set Supervisor:
Richard Krough
Craft Service:
Beverley Bremner
Digital Compositors:
Douglas Aiken
Digital Effects Supervisor:
Aaron Weintraub
Digital Intermediate Assistant:
Donnie Creighton
Digital Intermediate Editor:
Curtis Lindersmith
Director:
Jean-François Richet
Director of Photography:
Robert Gantz
Dolby Consultant:
Steve F.B. Smith
Dolly Grip:
Thomas Care
Editor:
Bill Pankow
Executive Producer:
Joseph Kaufmann
Don Carmody
Sebastien Lemercier
Extras Casting:
Jane Rogers
First Assistant Accountant:
Carla Spizziri
First Assistant Camera:
Jayson Clute
First Assistant Director:
Pierre Henry
Foley Artist:
Steve Baine
Foley Recordist:
Peter Persaud
Gaffer:
Bryan Forde
Richard Allen
Grip:
Craig Campbell
Hairstylist:
Francine Francis-Lee
Key Grip:
Monty Montgomerie
Key Hair Stylist:
James D. Brown
Key Scenic Artist:
Matthew Lammerich
Location Manager:
Jonathan Matthews
Location Production Assistant:
Brad Cowan
Location Scout:
John Rakich
Makeup Artist:
Donald Mowat
Music Coordinator:
Season Kent
Music Editor:
Ashley Revell
Music Programmer:
David E. Russo
Music Supervisor:
John Houlihan
Negative Cutter:
Tom Mayclim
Orchestrator:
Bill Meyers
Original Film Writer:
John Carpenter
Original Music Composer:
Graeme Revell
Painter:
Stephen Paisley
Picture Car Coordinator:
Lee Bryan
Post Production Coordinator:
Lorraine Samuel
Post Production Supervisor:
Gregor Hutchison
Producer:
Pascal Caucheteux
Jeffrey Silver
Stephane Sperry
Producer's Assistant:
Hayley Tyson
Production Accountant:
Jan Nizen
Production Assistant:
James Burke
Production Design:
Paul D. Austerberry
Production Secretary:
Eleanor Mendes
Production Sound Mixer:
David Lee
Property Master:
Ron Hewitt
Publicist:
Tony Muro
Pyrotechnic Supervisor:
Warren Appleby
Pyrotechnician:
Arthur Langevin
Rigging Gaffer:
Marek Krawczyk
Scenic Artist:
Erin Leslie
Scoring Mixer:
Mark Curry
Screenplay:
James DeMonaco
Script Supervisor:
Nadia Guglieri
Dug Rotstein
Second Assistant Accountant:
Coleen Snyder
Second Assistant Director:
Simon Board
Set Buyer:
Dawn Rivard
Set Decoration:
Steven Essam
Set Designer:
David G. Fremlin
Mayumi Konishi-Valentine
Software Engineer:
Berj Bannayan
Sound:
Alexander Track
Sound Designer:
Paula Fairfield
Craig Henighan
Sound Effects Designer:
Carla Murray
Sound Effects Editor:
Nathan Robitaille
Lee de Lang
Sound Re-Recording Mixer:
Keith Elliott
Sound Recordist:
Donald Lyles
Special Effects Coordinator:
John MacGillivray
Special Effects Supervisor:
Jason Board
Special Effects Technician:
Tim Barraball
Stand In:
Rebekah Boisvert
Steadicam Operator:
Andris Matiss
Storyboard Artist:
Jeremy Simser
Stunt Coordinator:
Steve Lucescu
Stunt Double:
Curtis Hibbert
Stunts:
Robert Racki
Lloyd Adams
Supervising ADR Editor:
Jill Purdy
Supervising Dialogue Editor:
Jill Purdy
Supervising Sound Editor:
Craig Henighan
Paula Fairfield
Systems Administrators & Support:
Sasha Dragun
Third Assistant Director:
Raymond J. Duff
Unit Production Manager:
Deb LeFaive
Unit Publicist:
Robert A. Levine
Utility Stunts:
Edward A. Queffelec
VFX Production Coordinator:
Rebecca Adams
Video Assist Operator:
Ben Gervais
Visual Effects Producer:
Eric J. Robertson
Visual Effects Production Manager:
Sarah McMurdo
Visual Effects Supervisor:
Allan Magled
Dennis Berardi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.