A work in constant progress (and occasional regress).
Release Date:
September 26, 2006
Original Title:
Видения ужасов
Alternate Titles:
A szenvedés víziói
Видения ужасов
Genres:
Horror
Production Companies:
Iskanov Production
Production Countries:
Russia | United States of America
Ratings / Certifications:
DE: 18
Runtime: 85
Demons cross the divide between the world of dreams and waking reality to capture a victim and drag him back to their nightmarish realm.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Additional Camera:
Denys Paschenko-Savon
Svyatoslav Iliyasov
Additional Set Photographer:
Svyatoslav Iliyasov
Art Direction:
Andrey Iskanov
Compositor:
Andrey Iskanov
Purple Eve
Inconsolable Ghost
Beta Evers
Dialogue:
Alexandr Shevchenko
Director:
Andrey Iskanov
Driver:
Boris Parhaev
Yuriy Zukovskiy
Ivan Shishkin
Editor:
Andrey Iskanov
Hairstylist:
Kang Shin-hye
Lighting Camera:
Andrey Iskanov
Makeup Artist:
Svyatoslav Iliyasov
Irina Nikitina
Kang Shin-hye
Music:
Alexandr Shevchenko
Zinc Room
Producer:
Andrey Iskanov
Production Design:
Andrey Iskanov
Set Decoration:
Svyatoslav Iliyasov
Sound Effects Designer:
Andrey Iskanov
Special Effects Key Makeup Artist:
Andrey Iskanov
Special Effects Makeup Artist:
Andrey Iskanov
Svyatoslav Iliyasov
Thanks:
Rachael Aghishian
Matthew Garnham
Jason Meredith
Tatyana Zenova
Dave Maurin
Mike Steinheiser
Nika Fedoseenko
Greigh Johanson
Roland Velina
Nicolas Beaudeux
Martin Larsson
Vasiliy Moskvichev
Erica L. Wright
Olivier Scherschel
Trevor Williams
Richard Hassel
Tomas Sandquist
Philip Parkinson
Margarita Shashunkina
Luis Armando
Johan Johnsson
René Wiesner
Carlos Armin Rosario
Title Designer:
Alexander Kravchenko
Translator:
Anton Spiridonov
Visual Effects:
Andrey Iskanov
Alexandr Shevchenko
Olga Chernukhina
Alexander Kravchenko
Writer:
Andrey Iskanov
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.