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Beware of Pity (1946) [N/A]

Release Date:
July 22, 1946

Original Title:
Beware of Pity

Genres:
Drama | Romance

Production Companies:
J. Arthur Rank Organisation
Two Cities Films

Production Countries:
United Kingdom

Ratings / Certifications:
 N/A

Runtime: 102

Overview from TheMovieDB

A paraplegic baroness mistakes a man's pity for love - and tragedy ensues.

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Additional information:

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Performers

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Production

Assistant Director:
Alf Keating
V.B. Lyndon-Haynes

Camera Operator:
William McLeod

Conductor:
Charles Williams

Costume Design:
Cecil Beaton
Matilda Etches

Director:
Maurice Elvey

Director of Photography:
Derick Williams

Editor:
Grace Garland

Executive Producer:
Filippo Del Giudice

Makeup Artist:
Len Garde

Novel:
Stefan Zweig

Original Music Composer:
Nicholas Brodszky

Producer:
Maurice Elvey
W.P. Lipscomb

Production Design:
Alex Vetchinsky

Production Manager:
Theo Lageard

Screenplay:
W.P. Lipscomb
Marguerite Stern
Elizabeth Baron

Sound Recordist:
M. Hobbs

Sound Supervisor:
B. C. Sewell

Unit Manager:
Ronald Kinnoch

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.