A work in constant progress (and occasional regress).
Release Date:
July 28, 1999
Original Title:
Deep Blue Sea
Alternate Titles:
Duboko plavo more
Útok z hlbín
딥 블루 씨 1
Genres:
Action | Horror | Science Fiction
Production Companies:
Groucho III Film Partnership
Riche-Ludwig Productions
Village Roadshow Pictures
Warner Bros. Pictures
Production Countries:
Australia | United States of America
Ratings / Certifications:
CH: 16 CZ: 12+ DE: 16 DK: 15 ES: 16 FR: 12|16 GB: 15 HU: 16 IE: 15 PL: 18 PT: M/12 RO: 15 SK: 15 US: R
Runtime: 105
Researchers on the undersea lab Aquatica have genetically altered the brains of captive sharks to develop a cure for Alzheimer's disease. But there's an unexpected side effect: the sharks got smarter, faster, and more dangerous. After a big storm damages their remote research facility, they must fight for their lives.
2D Sequence Supervisor:
Mark Tait Lewis
Kevin Lingenfelser
Marcel Martinez
Craig Mathieson
Sean O'Connor
3D Modeller:
Mathew C. Judd
ADR Editor:
Cindy Marty
Karyn Foster
ADR Mixer:
Troy Porter
ADR Supervisor:
Hugh Waddell
Additional Camera:
Frederick Iannone
Additional Editing:
Kevin Stitt
Additional Music:
Michael Jay
Aerial Coordinator:
David Paris
Animal Wrangler:
Adolfo Lara
Animation:
Constance Bracewell
Bruce Pearson
Julie Nelson
Steve Nichols
Michaela Zabranska
Rick O'Connor
Andrew Tamandl
Animation Supervisor:
Ken Stranahan
Art Department Coordinator:
Beth Bajuk
Art Direction:
Andrew Rothschild
Héctor Romero
Assistant Accountant:
Gavin J. Behrman
Assistant Art Director:
Ligia Ornelas
Nick Navarro
David Sandefur
Jonathan McKinstry
Assistant Camera:
Eric K. Jones
Assistant Chief Lighting Technician:
Joe Hanes
Gary Hill
Enrique Sánchez
Assistant Costume Designer:
Karla Stevens Flanigan
Assistant Makeup Artist:
Patricia Romero
Assistant Property Master:
Martin Gutierrez
Assistant Sound Editor:
Catherine Calleson
Associate Producer:
Thomas J. Mack
Patrick Lynn
Best Boy Electric:
R. Gern Trowbridge
Best Boy Grip:
Frank Montoya
Boom Operator:
Todd Bassman
CG Animator:
Daniel Klem
Jason MacLeod
CG Supervisor:
Douglas R. MacMillan
John E. Sasaki
CGI Supervisor:
Serge Sretschinsky
Camera Operator:
Phil Pastuhov
Gregory J. Schmidt
Leo J. Napolitano
Marc Spicer
Guillermo Rosas
Casting:
Christine Sheaks
Casting Assistant:
John Barba
Casting Associate:
Cassandra Kulukundis
Co-Producer:
Rebecca Spikings
Color Timer:
Dale E. Grahn
Colorist:
Jonathan Malden
Compositing Artist:
Travis Baumann
Compositing Supervisor:
Tim Alexander
Conductor:
Gordon Goodwin
Construction Buyer:
Gabriel Pérez
Construction Coordinator:
Gary Deaton
Construction Foreman:
William Apperson
Costume Design:
Mark Bridges
Costume Supervisor:
James W. Tyson
Joe McCloskey
Costumer:
Philip Maldonado
Dialogue Editor:
John F. Reynolds
Patrick J. Foley
Digital Compositor:
Tami Carter
Digital Compositors:
John Rauh
Digital Effects Producer:
Alan Church
Rebecca Farhall
Richard J. Cook
Digital Effects Supervisor:
Simon Giles
Director:
Renny Harlin
Director of Photography:
Stephen F. Windon
Driver:
Rick Kelleher
Editor:
Dallas Puett
Frank J. Urioste
Derek Brechin
Effects Supervisor:
Walt Conti
Electrician:
Matt Buchan
Michael Glover
John Crimins
Executive Assistant:
Kate Neumann
Executive In Charge Of Production:
Mark Scoon
Executive Producer:
Duncan Henderson
Bruce Berman
Jonathan Schwartz
Extras Casting:
Tina Kerr
First Assistant "A" Camera:
Gregory Irwin
Brad Peterman
First Assistant Accountant:
Lucy Amador
First Assistant Camera:
Frank Flick
Jose Gutierrez
Constantino Jiménez
John Kairis
Darrin Keough
Antonio Riestra
First Assistant Director:
Thomas J. Mack
Foley Artist:
Kevin Bartnof
Catherine Harper
Foley Editor:
Willy Allen
Foley Mixer:
Eric Gotthelf
Foley Supervisor:
David Horton Jr.
Gaffer:
Mick Morris
Grip:
R. Dana Harlow
Marcelino Luna
Hairstylist:
Robert L. Stevenson
Reka Wessely Tihanyi
Silvia Hernandez
Key Grip:
Gustavo Covarrubias
Mark Ramsey
Key Hair Stylist:
Peter Tothpal
Key Rigging Grip:
Jonas Juhanson
Leadman:
Russell R. Anderson
Lighting Technician:
Bruce Sharp
Location Assistant:
Horacio Rodríguez
Location Manager:
Michael John Meehan
Makeup Artist:
Allan A. Apone
Jim Kail
Raúl Sarmiento
Steve LaPorte
Makeup Department Head:
Jeff Dawn
Mechanical Designer:
Larry Cheng
Peter Fletter
Robert Fuhrmann
Tom Hsiu
David Knight
Tony Lawson
Music Consultant:
Shakim Compere
Music Editor:
Will Kaplan
Dick Bernstein
Negative Cutter:
Mo Henry
Orchestrator:
Tom Calderaro
Original Concept:
David L. Snyder
Original Music Composer:
Trevor Rabin
Post Production Supervisor:
Ilyse A. Reutlinger
Producer:
Akiva Goldsman
Tony Ludwig
Don MacBain
Alan Riche
Production Accountant:
Armando Amador
Production Assistant:
Iram Collantes
Production Design:
Joseph Bennett
William Sandell
Production Executive:
Randy Starr
Production Illustrator:
Harald Belker
Production Manager:
Anthony Franco
Production Office Assistant:
Jason McGatlin
Production Office Coordinator:
Francis Meade Warner
Production Secretary:
David Gorder
Production Sound Mixer:
Tim Cooney
Production Supervisor:
Anna Roth
Projection:
Tom Ajar
Property Master:
Eric J. Bates
Jerry Moss
Prosthetic Makeup Artist:
Chad Atkinson
Matthew W. Mungle
Clinton Wayne
Rigging Gaffer:
Ismael 'Izzy' Gonzalez
Roto Supervisor:
Karen Klein
Rotoscoping Artist:
Etienne Andlau
Erin M. Cullen
Lisa Garner
Sean Prusak
Screenplay:
Donna Powers
Duncan Kennedy
Script Supervisor:
Portia Tickell
Kelly Moon
Sculptor:
Jim McPherson
Second Assistant Camera:
Cash Cockerill
Jian Cong
Fernando Díaz Torres
Tom Jordan
Jerry Patton
Scott Ronnow
Luis David Sansans
Matt Toll
Second Assistant Director:
David Kelley
Second Second Assistant Director:
C.C. Barnes
Second Unit Director:
David R. Ellis
Second Unit Director of Photography:
Gary Capo
Set Costumer:
Carrie Bauer
Set Decorating Coordinator:
Gerald Lehtola
Set Decoration:
Debra Echard
Set Designer:
Karl J. Martin
Bill Taliaferro
Javier Nava
Set Dressing Artist:
Chris Adams
Set Medic:
Sarah Catizone
Set Production Assistant:
Jose Jimenez
Sound Effects Editor:
Andrew Somers
Jayme S. Parker
Adam Johnston
Sound Re-Recording Mixer:
John T. Reitz
Sound Recordist:
Rick Hromadka
Special Effects Coordinator:
Sergio Jara
Special Effects Makeup Artist:
Michael Shawn McCracken
Special Effects Supervisor:
John Richardson
Special Effects Technician:
Craig Tex Barnett
Darrell Burgess
José Ignacio Álvarez
Standby Painter:
Anthony Gaudio
Steadicam Operator:
Mark Emery Moore
Still Photographer:
Merie Weismiller Wallace
Storyboard Artist:
Lee Wilson
Gary Damian Thomas
Stunt Coordinator:
R.A. Rondell
Ronnie Rondell Jr.
Stunt Double:
Robin Lynn Bonaccorsi
Keli Murphy
Kathy Jarvis
Stunts:
Lesley Aletter
Patricia M. Peters
Cinda-Lin James
Troy Gilbert
Erik Rondell
Supervising Art Director:
Bruce Crone
Mark W. Mansbridge
Supervising Sound Editor:
Robb Wilson
J. Paul Huntsman
Systems Administrators & Support:
Justin Burdine
Textile Artist:
Niamh Murphy
Transportation Captain:
Hugo Chew
Transportation Coordinator:
Russell McEntyre
Underwater Director of Photography:
Pete Romano
Underwater Gaffer:
Patrick Murray
Unit Manager:
Rafael Cuervo
Unit Production Manager:
Todd Arnow
Unit Publicist:
Peter J. Silbermann
Utility Stunts:
Joey Box
Video Assist Operator:
Jeff Burrage
Kevin Hawks
Visual Effects:
Joshua I. Kolden
Visual Effects Compositor:
Ted Andre
Jeffrey Arnold
Dan Walker
Christina Drahos
Visual Effects Coordinator:
Jack Geist
LeiLa Ratti
Visual Effects Designer:
Clark Schaffer
Visual Effects Editor:
V. Scott Balcerek
Mark Eggenweiler
Steve Shaw
Lincoln Kupchak
Kevin Clark
Visual Effects Producer:
Heather Smith
Kristen Branan
Scott Dougherty
Thomas Boland
Tiffany Smith
Visual Effects Production Assistant:
Gino Freselli
Visual Effects Production Manager:
Penny A. Mesa
Visual Effects Supervisor:
Craig A. Mumma
Jamie Dixon
Rebecca Marie
Jerry Pooler
Jeffrey A. Okun
William Mesa
John Knoll
Visual Effects Technical Director:
Brian Shows
Writer:
Wayne Powers
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.