A work in constant progress (and occasional regress).
Release Date:
September 2, 2023
Original Title:
Gracias por venir
Alternate Titles:
No nos vamos ni cagando
Genres:
Drama | Family
Production Companies:
Kazoku Films
Universidad del Desarrollo
Zoo Films
Production Countries:
Chile
Ratings / Certifications:
AR: +13
Runtime: 72
After the sudden death of his father and finding out he is going to lose the house where him and his family have vacationed at for over 25 years, Nancho and his family will seek for a way to sabotage the sale and will fight for the house that belongs to them, where they have grown up and formed many memories. But the attachment and disobedience of Nancho will lead to the family taking drastic decisions.
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Art Department Coordinator:
Carla Flores
Art Department Production Assistant:
Carla Flores
Assistant Director:
Mara Luksic Prieto
Camera Operator:
Valentina Guerra Balbontin
Costume Designer:
Felipe Cifuentes
Director:
Taiyo Yamazaki
Director of Photography:
Piero Bravo Fuentes
Editor:
Antonia Quiroz
Executive Producer:
Abbril Ayala
Nicolás Heimrich
Focus Puller:
Francisco Diaz Ojeda
Gaffer:
Millaray Berríos
Makeup & Hair:
Fabían Díaz Jeria
Production Design:
Pedro Roca
Production Sound Mixer:
Cristóbal Acevedo Bravo
Property Master:
Sergio Tapia Flores
Screenplay:
Taiyo Yamazaki
Second Assistant Director:
Joaquín Campos Astroza
Set Decoration:
Valentina Barros Celis
Sound:
Cristóbal Acevedo Bravo
Sound Assistant:
Rodrigo Suárez Bagladi
Stage Director:
Luis Baumeister
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.