How the Grinch Stole Christmas (2000) [PG]

Release Date:
November 17, 2000

Original Title:
How the Grinch Stole Christmas

Alternate Titles:
Cum a furat Grinch Crăciunul
De cómo Odeón intentó robarse la Navidad
Der Grinch: Wie der Grinch Weihnachten gestohlen hat
Dr Seuss: Le grincheux qui voulait gâcher Noël
Dr. Seuss' How the Grinch Stole Christmas
How the Grinch Stole Christmas
The Grinch
Як Ґрінч викрав Різдво
เดอะกริ๊นช์ ตัวเขียวป่วนเมือง

Genres:
Comedy | Family | Fantasy

Production Companies:
Imagine Entertainment
LUNI Productions
Universal Pictures

Production Countries:
Germany | United States of America

Ratings / Certifications:
AU: PG  BR: L  CA: PG  CH: 12  CZ: U  DE: 6  DK: 7  ES: APTA  FR: U  GB: PG  HU: 6  IE: PG  JP: PG12  KR: ALL  MX: A  NL: AL  PL: 12  RO: AP  RU: 12+  SE: 7  US: PG 

Runtime: 104

He puts the mean in green.

The Grinch decides to rob Whoville of Christmas - but a dash of kindness from little Cindy Lou Who and her family may be enough to melt his heart...

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Art Direction:
Lauren E. Polizzi

Associate Producer:
Aldric La'Auli Porter

Book:
Dr. Seuss

Casting Director:
Janet Hirshenson
Jane Jenkins

Compositing Artist:
Lou Pecora
Kelly Port

Compositors:
Rachel Wyn Dunn

Conceptual Design:
Barry E. Jackson

Costume Design:
Rita Ryack

Costume Supervisor:
Dan Bronson

Director:
Ron Howard

Director of Photography:
Donald Peterman

Editor:
Mike Hill
Daniel P. Hanley

Executive Producer:
Todd Hallowell

First Assistant Director:
Aldric La'Auli Porter

Foley Editor:
Christopher Flick

Hairstylist:
Nina Paskowitz

Key Grip:
Mike Anderson

Key Hair Stylist:
Patricia Miller
Gail Rowell-Ryan

Location Manager:
Michael J. Malone

Makeup Artist:
Ve Neill
Bill Corso
Kazu Hiro
Sylvia Nava
Deborah Rutherford
Michael Key

Makeup Department Head:
Toni G

Makeup Effects Designer:
Rick Baker

Music Editor:
John LaSalandra
Joe E. Rand
Jim Henrikson

Music Supervisor:
Bonnie Greenberg

Original Music Composer:
James Horner

Producer:
Ron Howard
Brian Grazer

Production Design:
Michael Corenblith

Production Sound Mixer:
David MacMillan

Screenplay:
Peter S. Seaman
Jeffrey Price

Script Supervisor:
Leslie Park

Second Assistant Director:
David Hyman

Second Unit Director:
Todd Hallowell

Set Decoration:
Merideth Boswell

Sound Effects Editor:
Brian Thomas Nist
Kenneth L. Johnson
Michael Geisler
Eric A. Norris

Special Effects Coordinator:
Allen Hall

Storyboard Artist:
Bob Camp

Studio Teacher:
Judith M. Brown

Stunt Coordinator:
Charles Croughwell

Stunt Double:
Lisa Hoyle
Darlene Ava Williams
Tabby Hanson

Stunts:
Chris O'Hara
Clayton J. Barber
Kevin Abercrombie
Laura Albert
Pat Banta
Richie Gaona
Jane Oshita
Terry Notary
Gregg Smrz
Chris Sayour
Wyatt Tipton
Sonny Tipton
Ben Scott
Jake Lombard
Svetla Krasteva
Thomas J. Larsen
Gary Dionne
Michael Dahlen

Supervising Art Director:
Dan Webster

Supervising Sound Editor:
Scott A. Hecker

Unit Production Manager:
David Womark

VFX Editor:
Debra Wolff

Visual Effects Producer:
Kurt Williams
Julian Levi
Joyce Cox

Visual Effects Supervisor:
Kurt Williams
Kevin Scott Mack

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.