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The Karate Kid Part II (1986) [PG]

Release Date:
June 18, 1986

Original Title:
The Karate Kid Part II

Alternate Titles:
Karate Kid II: mästarprovet
Karaté kid 2
بچه کاراته‌باز ۲
پسر کاراته‌باز ۲
베스트키드 2

Genres:
Action | Adventure | Drama | Family | Romance

Production Companies:
Columbia Pictures
Delphi II Productions

Production Countries:
China | United States of America

Ratings / Certifications:
AU: PG  BR: L  DE: 12  ES: APTA  FR: TP  GB: PG  IE: PG  IT: T  JP: G  KR: 12  MX: A  NL: 12  PT: M/12  SE: 11  US: PG 

Runtime: 113

This time, the combat is real.

Overview from TheMovieDB

After discovering that his father is at death's door, Mr. Miyagi sets out to Japan, to see him with Daniel. Upon arriving, Miyagi must confront an old rival. Meanwhile, Daniel encounters a new love, and some new enemies.

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Additional information:

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Trailer

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Performers

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Production

ADR Editor:
Richard Friedman
Jay Kamen

Art Direction:
William F. Matthews

Assistant Accountant:
Jan Foreman

Assistant Editor:
Douglas Brumer
Karen Kory
Penelope Shaw

Assistant Sound Editor:
Blake R. Cornett
Martha Burns Holsen

Associate Producer:
William J. Cassidy
Karen Trudy Rosenfelt
Susan Ekins

Best Boy Grip:
John Lubin

Boom Operator:
David Stafford

Cableman:
William M. Randall Jr.

Camera Operator:
Craig Denault

Casting:
Caro Jones

Chief Lighting Technician:
Ross A. Maehl

Choreographer:
Paul De Rolf
Nobuko Miyamoto
Jose De Vega
Randy Sabusawa

Color Timer:
Reid Burns

Construction Coordinator:
Hendrik Wynands

Construction Foreman:
Michael Van Dyke
Mike Wynands
Danny Wynands

Costume Designer:
Mary Malin

Director:
John G. Avildsen

Director of Photography:
James Crabe

Dolly Grip:
O.T. Henderson

Editor:
Jane Kurson
David Garfield
John G. Avildsen

Executive Producer:
R.J. Louis

Extras Casting:
Marge Spencer

First Assistant Camera:
Alan R. Disler
Brad Edmiston

First Assistant Director:
Clifford C. Coleman

Foley Editor:
Jim Bullock

Hairstylist:
Steve Elsbree

Key Grip:
James M. Sheppherd

Key Hair Stylist:
Cheri Ruff

Key Makeup Artist:
John M. Elliott Jr.

Leadman:
Mark Hite

Location Manager:
Pete Corral

Makeup Artist:
Jim Kail

Martial Arts Choreographer:
Pat E. Johnson

Music Editor:
Stephen A. Hope

Music Supervisor:
Brooks Arthur

Orchestrator:
Jack Eskew

Original Music Composer:
Bill Conti

Producer:
Jerry Weintraub

Production Accountant:
Diane Bandolas

Production Coordinator:
Jeannie Jeha

Production Design:
William J. Cassidy

Property Master:
Sam Gordon

Props:
Richard Leon

Script Supervisor:
Marshall Schlom

Second Assistant Camera:
Mario Zavala

Second Assistant Director:
Dennis Maguire

Second Second Assistant Director:
Christine Larson

Set Decoration:
Lee Poll

Set Designer:
William James Teegarden

Sound Editor:
Michael P. Redbourn
Joseph Holsen
Neil Burrow
Bob Cornett

Sound Mixer:
William Randall

Sound Re-Recording Mixer:
Robert Knudson
Robert Glass
Don Digirolamo

Special Effects:
Gary Dion
Paul H. Haines Jr.
Al Wininger

Special Effects Supervisor:
Dennis Dion

Standby Painter:
Glen Cooper

Steadicam Operator:
Stephen St. John

Still Photographer:
Ralph Nelson Jr.

Stunts:
Linda Arvidson
Erik Felix
Mike Hassett
Roger Ito
Lori Lynn Ross
Bill M. Ryusaki

Supervising ADR Editor:
Doreen A. Dixon

Supervising Sound Editor:
Tom C. McCarthy

Swing:
Ronnie Wexler

Technical Advisor:
Louis Schwartzberg
Zenko Heshiki

Transportation Captain:
Tino Caira

Transportation Coordinator:
Alan Falco
Harry Ueshiro

Unit Production Manager:
Howard Pine

Unit Publicist:
Peter Benoit

Writer:
Robert Mark Kamen

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.