A work in constant progress (and occasional regress).
Release Date:
July 1, 1994
Original Title:
The Shadow
Alternate Titles:
O Sombra - The Shadow
Stín ďábla
影子
魅影魔星
Genres:
Action | Fantasy
Production Companies:
Bregman/Baer Productions
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: PG DE: 12 FR: TP GB: 12 HU: 12 NL: 12 US: PG-13
Runtime: 108
Based on the 1930's comic strip, puts the hero up against his arch enemy, Shiwan Khan, who plans to take over the world by holding a city to ransom using an atom bomb. Using his powers of invisibility and "The power to cloud men's minds", the Shadow comes blazing to the city's rescue with explosive results.
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ADR Editor:
Alexandra Root
Laura Graham
Lauren Palmer
Shelley Rae Hinton
Bruce Stubblefield
Art Direction:
Jack Johnson
Dan Olexiewicz
Steven Wolff
Best Boy Electric:
O'Shana Walker
Rick A. Benedetto
Boom Operator:
Timothy P. Salmon
Camera Operator:
Dustin Blauvelt
Casting:
Mary Colquhoun
Characters:
Walter B. Gibson
Choreographer:
Carissa Green
Construction Coordinator:
Steve Callas
Construction Foreman:
Peter Olexiewicz
Robert Webb
Robert L. Thompson
Costume Design:
Bob Ringwood
Costume Supervisor:
Eric H. Sandberg
Dialogue Editor:
Jeff Bushelman
Karen G. Wilson
E. Jeane Putnam
Larry Mann
Director:
Russell Mulcahy
Director of Photography:
Stephen H. Burum
Dolly Grip:
Carlos M. Gallardo
Editor:
Peter Honess
Beth Jochem Besterveld
First Assistant Camera:
Alan S. Blauvelt
First Assistant Director:
Louis D'Esposito
First Assistant Editor:
Mary Jochem Besterveld
Foley Editor:
Christopher Flick
Phillip Linson
Donald Sylvester
Gaffer:
Dwight Campbell
James B. Crawford
Patrick James Grosswendt
Hairstylist:
Rick Provenzano
Bridget Bergman
Shirley Crawford
Janine Rath-Thompson
Key Costumer:
Bill Tiegs
Debra Beebe
Key Grip:
Keith Claridge
Todd R. Smith
Bruce D. Spellman
Key Hair Stylist:
Candace Neal
Key Makeup Artist:
Ronnie Specter
Leadman:
Mark Woods
Location Manager:
Christine Bonnem
Makeup Artist:
Carl Fullerton
Jo-Anne Smith-Ojeil
Jene Fielder
Modeling:
Hiroshi 'Kan' Ikeuchi
Music Editor:
Kenneth Hall
Darrell Hall
Music Supervisor:
Jellybean Benítez
Orchestrator:
Arthur Morton
Alexander Courage
Original Music Composer:
Jerry Goldsmith
Painter:
Gordon Huggins
Mike Reiber
Producer:
Martin Bregman
Willi Bär
Michael Bregman
Production Coordinator:
Saffron Kenny
Lisa Knaggs
Kathleen M. Courtney
Martin Matzinger
Leslie Schor
Sari Rosen
Production Design:
Joseph C. Nemec III
Production Manager:
Patricia Churchill
Cordy Rierson
Property Master:
John Zemansky
Propmaker:
Allan Johnson
William H. Phen Jr.
Rigging Gaffer:
Jimmy Keys
Rigging Grip:
Alfred E. Smithey
John Dumas
Brian Sata
Frank Peterson
Raymond Michels
Mike J. Campbell Jr.
Stephen Shultz
Roto Supervisor:
Bret Mixon
Screenplay:
David Koepp
Script Supervisor:
June Samson
Sculptor:
Tully Summers
Second Unit Director:
Dick Ziker
Set Decoration:
Garrett Lewis
Set Designer:
William J. Law III
Carl J. Stensel
James E. Tocci
Sound Effects Editor:
John Benson
Jay Wilkinson
Richard King
Sound Re-Recording Mixer:
Don Digirolamo
Brad Sherman
Gary C. Bourgeois
Special Effects:
Gintar Repecka
Special Effects Coordinator:
Ken Pepiot
Special Effects Makeup Artist:
Todd Tucker
Special Effects Supervisor:
Albert Delgado
Steadicam Operator:
Mark O'Kane
Still Photographer:
Ralph Nelson Jr.
Stunt Coordinator:
Scott Hubbell
Dick Ziker
Stunt Double:
Dana Hee
Stunts:
Kenny Endoso
Norman Howell
Chuck Picerni Jr.
Henry Kingi
Gregory J. Barnett
Steve M. Davison
Buddy Joe Hooker
Supervising ADR Editor:
Allen Hartz
Supervising Sound Editor:
Martin Maryska
Title Designer:
Elizabeth Beloff
Visual Effects Coordinator:
Carmen M. Miller
Visual Effects Editor:
Christer Hokanson
Visual Effects Producer:
Leslie Huntley
Alison Savitch
Steven T Puri
Visual Effects Supervisor:
Gene Warren Jr.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.