A work in constant progress (and occasional regress).
Release Date:
October 8, 1992
Original Title:
Under Siege
Alternate Titles:
A Força em Alerta
Alarmstufe Rot
Alarmstufe Rot (Under Siege)
Dreadnought
Přepadení v Pacifiku
Under Siege
Under Siege 01 Under Siege
Genres:
Action | Thriller
Production Companies:
Alcor Films
Arnon Milchan Productions
Le Studio Canal+
Regency Enterprises
Warner Bros. Pictures
Production Countries:
France | United States of America
Ratings / Certifications:
AU: M CZ: U DE: 18 DK: 15 ES: 12 FI: K-18 FR: TP GB: 15 GR: 16 HU: 16 IE: 18 MX: B SE: 15 SK: 15 US: R
Runtime: 102
A disgruntled ex-CIA operative, his assistant and their assembled group of terrorists seize a battleship with nuclear blackmail in mind. They've planned for every contingency but ignore the ship's cook, former Navy SEAL Casey Ryback—an error that could be fatal.
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"A" Camera Operator:
Frank Miller
"B" Camera Operator:
Stephen St. John
ADR Editor:
Holly Huckins
Michele Perrone
Aerial Camera:
Frank M. Holgate
Art Department Coordinator:
Maggie Martin
Art Direction:
William Hiney
Best Boy Grip:
Audie Aragon
Boom Operator:
Dale R. Janus
Casting:
Pamela Basker
Chief Lighting Technician:
Bob E. Krattiger
Eugene F. Crededio
Co-Producer:
Peter Macgregor-Scott
Jack B. Bernstein
Color Timer:
Phil Downey
Bob Putynkowski
Construction Coordinator:
Clarence Lynn Price
Costume Design:
Richard Bruno
Costume Supervisor:
Laurie Riley
Director:
Andrew Davis
Director of Photography:
Frank Tidy
Dolly Grip:
Brad Rea
Editor:
Dov Hoenig
Robert A. Ferretti
Dennis Virkler
Don Brochu
Executive Producer:
J.F. Lawton
Gary W. Goldstein
First Assistant Camera:
Zoran Veselić
First Assistant Director:
Thomas J. Mack
Foley Artist:
John Roesch
Alicia Stevenson
Foley Editor:
Pamela Bentkowski
Steve Schwalbe
Christine Danelski
Foley Mixer:
Mary Jo Lang
Foley Recordist:
Roberta Alstadter
Key Grip:
Gaylin P. Schultz
Scott Floren
Key Hair Stylist:
Shanon Ely
Location Manager:
Curtis Collins
Makeup Artist:
Gandhi Bob Arrollo
Makeup Supervisor:
Jef Simons
Music Consultant:
Sharon Boyle
Music Editor:
Sally Boldt
Carlton Kaller
Negative Cutter:
Brian Ralph
Original Music Composer:
Gary Chang
Post Production Supervisor:
Carol Dantuono
Producer:
Steven Seagal
Steven Reuther
Arnon Milchan
Production Accountant:
Ricki L. Stein
Production Design:
Bill Kenney
Production Sound Mixer:
Scott D. Smith
Property Master:
Sam Moore
Screenplay:
J.F. Lawton
Script Supervisor:
Dru Anne Carlson
Second Assistant Director:
David Kelley
Second Unit Director:
Conrad E. Palmisano
Second Unit Director of Photography:
Gary Holt
Set Decoration:
Rick Gentz
Set Designer:
Alan Manzer
Sound Editor:
Hector C. Gika
Glenn Hoskinson
Robert Bradshaw
Rocky Moriana Jr.
Jay Nierenberg
Donald L. Warner Jr.
Kim Secrist
John Kwiatkowski
Anthony Milch
Richard Burton
Shawn Sykora
Bruce Fortune
Kimberly Lowe Voigt
Richard E. Yawn
Frank Kniest
Sound Re-Recording Mixer:
Frank A. Montaño
Jeffrey J. Haboush
Rick Hart
Donald O. Mitchell
Special Effects Coordinator:
Thomas L. Fisher
Steadicam Operator:
Stephen St. John
Still Photographer:
Michael P. Weinstein
Stunt Coordinator:
Conrad E. Palmisano
Jeff Dashnaw
Stunt Double:
Clifford Happy
Bruce Paul Barbour
Stunts:
Richard L. Blackwell
James Deeth
Michael Adams
John Rottger
Norman Howell
Brian J. Williams
Gary Morgan
Jeff Jensen
Mark Stefanich
Lance Gilbert
Steve M. Davison
Bruce Paul Barbour
G.A. Aguilar
Terry Jackson
Tom Harper
Tim Card
Dean Mumford
Peewee Piemonte
Nils Allen Stewart
Kevin LaRosa
Dick Hancock
Kane Hodder
Anderson Martin
Greg Wayne Elam
Dick Ziker
Supervising ADR Editor:
Becky Sullivan
Supervising Sound Editor:
Bruce Stambler
John Leveque
Transportation Coordinator:
Craig Pinkard
Unit Production Manager:
P.M. Scott
Unit Publicist:
Michael Battaglia
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.