A work in constant progress (and occasional regress).
Release Date:
November 13, 1959
Original Title:
Estate violenta
Alternate Titles:
En våldsam sommar
Kohtalokas kesä
Lato przemocy
Um Verão Violento
Verano violento
Verão Violento
Viaio kalokairi
Violencia de amor
Violent summer
Wilder Sommer
Été violent
Жестоко лято
Genres:
Drama | Romance | War
Production Companies:
Société Générale de Cinématographie (S.G.C.)
Titanus
Production Countries:
France | Italy
Ratings / Certifications:
RO: 15
Runtime: 94
Summer, 1943: wealthy youth in the Riccione district of Rimini play while the war gets closer. Carlo Caremoli, a young man who follows the crowd, has found ways to avoid military service. Then, on the beach, he meets Roberta, a war widow with a child. Roberta's mother warns Roberta to avoid Carlo, but to her, he seems attentive and to her daughter he is kind. Romance develops. Within a few weeks, Roberta is risking everything. Can there be a resolution between passion, on the one hand, and war, duty, and social expectation on the other?
Assistant Director:
Florestano Vancini
Mario Vissiroli
Camera Operator:
Enrico Cignitti
Co-Writer:
Suso Cecchi d'Amico
Giorgio Prosperi
Conductor:
Franco Ferrara
Costume Design:
Dario Cecchi
Director:
Valerio Zurlini
Director of Photography:
Tino Santoni
Editor:
Mario Serandrei
Executive Producer:
Silvio Clementelli
Hairstylist:
Vasco Reggiani
Makeup Artist:
Thea Boggiatto
Franco Freda
Original Music Composer:
Mario Nascimbene
Producer:
Goffredo Lombardo
Production Design:
Massimiliano Capriccioli
Dario Cecchi
Production Manager:
Giuseppe Bordogni
Screenplay:
Valerio Zurlini
Script Supervisor:
Rometta Pietrostefani
Set Decoration:
Massimiliano Capriccioli
Dario Cecchi
Sound:
Mario Messina
Story:
Valerio Zurlini
Unit Manager:
Anna Davini
Luigi Ceccarelli
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.