A work in constant progress (and occasional regress).
Release Date:
August 8, 1997
Original Title:
Conspiracy Theory
Alternate Titles:
Complot Mortel
Fletcher's Visionen
Theories synomosias
Теорија завере
連鎖陰謀
Genres:
Action | Drama | Mystery | Thriller
Production Companies:
Donner/Shuler-Donner Productions
Silver Pictures
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M CH: 12 CZ: U DE: 12 DK: 15 FI: K-16 FR: 12 GB: 15 HU: 18 IE: 15 IT: T KR: 15 NL: 12 NO: 15 PL: 18 PT: M/12 SE: 15 US: R
Runtime: 135
A man obsessed with conspiracy theories becomes a target after one of his theories turns out to be true. Unfortunately, in order to save himself, he has to figure out which theory it is.
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"A" Camera Operator:
Mitchell Amundsen
"B" Camera Operator:
Neal Norton
ADR Editor:
Denise Horta
William C. Carruth
ADR Mixer:
Troy Porter
Art Direction:
Gregory Bolton
Assistant Chief Lighting Technician:
Brian Evans
Assistant Costume Designer:
Christopher J. Kristoff
Assistant Editor:
Kris Cole
Assistant Property Master:
Christopher Amy
Assistant Sound Editor:
Oscar Mitt
Sonny Pettijohn
Associate Producer:
Ilyse A. Reutlinger
Julie Durk
Best Boy Grip:
Audie Aragon
Boom Operator:
Todd Bassman
Camera Loader:
Jacobus Marcus
Casting:
Marion Dougherty
Chief Lighting Technician:
Andy Ryan
Co-Producer:
Dan Cracchiolo
Richard Solomon
J. Mills Goodloe
Color Timer:
David Orr
Costume Design:
Ha Nguyen
Costume Supervisor:
Kimberly Guenther Durkin
Director:
Richard Donner
Director of Photography:
John Schwartzman
Dolly Grip:
Brad Rea
Editor:
Kevin Stitt
Frank J. Urioste
Executive Producer:
Jim Van Wyck
First Assistant Camera:
Christopher Duskin
A. Anthony Cappello
First Assistant Director:
Jim Van Wyck
Foley Editor:
Aaron Glascock
Solange S. Schwalbe
Hairstylist:
Lyndell Quiyou
Monique DeSart
Key Grip:
Les T. Tomita
Key Hair Stylist:
Stephen Robinette
Leadman:
Steven Curtis Husch
Location Manager:
David E. Kaufman
Robbie Goldstein
Makeup Artist:
Mel Berns Jr.
Richard Dean
Makeup Supervisor:
Lee Harman
Music Editor:
Adam Milo Smalley
Negative Cutter:
Mo Henry
Orchestrator:
Sonny Kompanek
Original Music Composer:
Carter Burwell
Post Production Supervisor:
Ilyse A. Reutlinger
Producer:
Joel Silver
Richard Donner
Production Design:
Paul Sylbert
Production Sound Mixer:
Tim Cooney
Property Master:
Erik L. Nelson
Scoring Mixer:
Michael Farrow
Script Supervisor:
Sioux Richards
Second Assistant Camera:
Charles B. Katz
Thomas D. Lairson Jr.
Second Assistant Director:
John G. Scotti
Second Second Assistant Director:
Sean McCarron
Second Unit Director:
Conrad E. Palmisano
Set Decoration:
Casey Hallenbeck
Set Designer:
Thomas Betts
Lauren Cory
Joseph G. Pacelli Jr.
Sound Editor:
Geoffrey G. Rubay
John Dunn
Mike Chock
Eric Lindemann
Richard L. Anderson
Julia Evershade
Sound Re-Recording Mixer:
Gary D. Rogers
John T. Reitz
Jeffrey J. Haboush
David E. Campbell
Dan Hiland
Gregg Rudloff
Kevin E. Carpenter
Special Effects Coordinator:
Michael Meinardus
Steadicam Operator:
Neal Norton
Still Photographer:
Andrew Cooper
Stunt Coordinator:
Conrad E. Palmisano
Stunts:
Mic Rodgers
Steven Lambert
Jodi Michelle Pynn
Patricia M. Peters
Barbara Anne Klein
Jill Brown
Eddie Braun
Richard L. Blackwell
Steve Blalock
Rick Seaman
Bruce Paul Barbour
Christopher Doyle
Dana Bertolette
Douglas Crosby
Blaise Corrigan
J. Mark Donaldson
Siberia M. Federico
Dick Hancock
Tabby Hanson
Svetla Krasteva
Norman Douglass
Tim Gallin
Brad Martin
Bob Minor
Lincoln Simonds
Tony Snegoff
Paul Sklar
David Zellitti
Brian J. Williams
Martin Valinsky
Harry Wowchuk
Supervising ADR Editor:
James Simcik
Supervising Sound Editor:
George Simpson
Mark Mangini
Underwater Director of Photography:
Pete Romano
Unit Production Manager:
Nan Bernstein Freed
Helen Pollak
Unit Publicist:
Stephanie Pond-Smith
Video Assist Operator:
Martin Glover
Writer:
Brian Helgeland
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.