A work in constant progress (and occasional regress).
Release Date:
April 19, 2023
Original Title:
Guy Ritchie's The Covenant
Alternate Titles:
Der Pakt
El pacto (The Covenant)
Guy Richie's Der Pakt
Guy Ritchie's the Covenant
Guy Ritchie's the Covenant (The Covenant)
Guy Ritchies The Covenant
Interpreters Wanted
Khế Ước
The Covenant
The Interpreter
Tugev seljatagune
Переводчик
پیمان گای ریچی
เดอะ โคเวแนนท์
เดอะ โคเวแนนท์ โดย กาย ริชชี่
盟约
絕地營救
가이 리치스 더 커버넌트
Genres:
Action | Thriller | War
Production Companies:
STXfilms
Toff Guy Films
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: MA 15+ BR: 16 DE: 12 ES: 16 FR: 16 GB: 15 HK: IIB ID: 17+ IL: 14 JP: G KR: 15 LT: N-16 MX: B-15 NL: 16 NZ: R16 PH: R-13 PR: R PT: M/16 RO: 18+ RU: 18+ SG: NC16 TH: 15 US: R
Runtime: 123
During the war in Afghanistan, a local interpreter risks his own life to carry an injured sergeant across miles of grueling terrain.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Florian Müller
David Temprano
Assistant Director:
Irene Díaz
Assistant Editor:
Robert Jones
Associate Producer:
Beau Harrington
Best Boy Electric:
Raz Khamehseifi
Cableman:
Benjamin Schweimler Ricca
Camera Operator:
Antonio Álvarez
Tammo Van Hoorn
Camera Trainee:
Núria Server
Co-Producer:
Max Keene
Costume Coordinator:
Manuel Bonillo
Costume Design:
Loulou Bontemps
Costume Standby:
Rebeca Sola
Costume Supervisor:
Irene Orts
Costumer:
Belen Hernandez Sanchez
Director:
Guy Ritchie
Director of Photography:
Ed Wild
Dolly Grip:
Alfonso Lujan Jr.
Drone Pilot:
Brandon Carrara
Editor:
James Herbert
Executive Producer:
Olga Filipuk
Samantha Waite
First Assistant "B" Camera:
Jordi Florensa
First Assistant Director:
Max Keene
Jairo Murray
First Assistant Editor:
Angus Munro
Gaffer:
Wayne Shields
Line Producer:
Carlos Ruiz Boceta
Makeup & Hair:
Donald Mowat
Makeup Artist:
Rúben Samos
Theodore Rowan Salisbury
Makeup Supervisor:
Diana Estrada Hudson
Music:
Chris Benstead
Post Production Supervisor:
Siobhan Boyes
Producer:
Ivan Atkinson
John Friedberg
Guy Ritchie
Josh Berger
Production Design:
Martyn John
Production Manager:
Marco Calabrese
Melele Sánchez
Rigging Grip:
Pablo Rubio
Screenplay:
Ivan Atkinson
Marn Davies
Guy Ritchie
Second Assistant "A" Camera:
Dean Morrish
Second Assistant "B" Camera:
Raquel Rodríguez
Second Assistant Camera:
Veronica D'Alessio
Second Assistant Director:
Paul Bennett
Michela Marini
Set Decoration:
Linda Wilson
Sound Assistant:
Lorenzo Mastrocinque
Sound Mixer:
Adrian Bell
Special Effects:
Ricardo Coelho
Conor Coughlan
Special Effects Coordinator:
Clara Diaz
Special Effects Supervisor:
Juan Ramón Molina
Special Effects Technician:
Eric Nieto
Valter Évora
Jaime Fortea
Standby Art Director:
Hazel Keane
Steadicam Operator:
Peter Wignall
Still Photographer:
Christopher Raphael
Stunt Coordinator:
William Monrabal Cook
Mark Southworth
Tom Rodgers
Stunt Double:
José Ramón Fernández
Lee Huang
Tom Rodgers
Rafael Ayuso
Stunt Driver:
Ignacio Hernández
Paul Bailey
Stunts:
Pablo Casillas
Juan Jimenez
Domingo Beltrán
Brandy Rodríguez
Third Assistant Director:
Paula Leiva
Unit Production Manager:
Samantha Waite
Visual Effects Producer:
Joe Carhart
Visual Effects Supervisor:
Ben Cowell-Thomas
Wigmaker:
Jean Carlos de Blas
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.