A work in constant progress (and occasional regress).
Release Date:
February 9, 1965
Original Title:
Rekopis znaleziony w Saragossie
Alternate Titles:
El manuscrito encontrado en Zaragoza
The Saragossa Manuscript
사라고사 매뉴스크립트
사라고사의 매뉴스크립트
Genres:
Comedy | Drama | Fantasy | History | Mystery
Production Companies:
Zespół Filmowy "Kamera"
Production Countries:
Poland
Ratings / Certifications:
N/A
Runtime: 183
During the Napoleonic wars, a Spanish officer and an opposing officer find a book written by the former's grandfather.
Assistant Camera:
Tadeusz Jakuczyn
Stanisław Mularczyk
Assistant Costume Designer:
Alicja Ptaszyńska
Assistant Director:
Barbara Sass
Halina Garus
Assistant Editor:
Danuta Bonikowska
Krzysztof Osiecki
Assistant Makeup Artist:
Anna Włodarczyk
Maria Maziarz
Assistant Production Design:
Tadeusz Kosarewicz
Tatiana Manżett
Assistant Production Manager:
Barbara Pec-Ślesicka
Wlodzimierz Kaczmarski
Wanda Wojnar-Iliew
Assistant Set Decoration:
Michal Ronikier
Camera Operator:
Zbigniew Hartwig
Conductor:
Henryk Czyż
Construction Foreman:
Albert Kuchnia
Edmund Siekierski
Costume Design:
Lidia Skarżyńska
Jerzy Skarżyński
Director:
Wojciech Jerzy Has
Director of Photography:
Mieczysław Jahoda
Editor:
Krystyna Komosińska
First Assistant Director:
Andrzej Jerzy Piotrowski
Hairstylist:
Zofia Chec
Lighting Technician:
Mieczyslaw Sitarz
Makeup Artist:
Zbigniew Dobracki
Music Programmer:
Bohdan Mazurek
Novel:
Jan Potocki
Original Music Composer:
Krzysztof Penderecki
Painter:
Jerzy Skarżyński
Production Consultant:
Zdzisław Żygulski
Production Design:
Tadeusz Myszorek
Jerzy Skarżyński
Production Manager:
Ryszard Straszewski
Screenplay:
Tadeusz Kwiatkowski
Set Decoration:
Leonard Mokicz
Sound:
Bohdan Bieńkowski
Sound Assistant:
Waldemar Kamizela
F. Sławiński
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.