A work in constant progress (and occasional regress).
Release Date:
April 10, 1996
Original Title:
The Haunting of Lisa
Genres:
Drama | Horror | Mystery | TV Movie
Production Companies:
PhiliPiCo Company
Power Pictures
Production Countries:
Canada | United States of America
Ratings / Certifications:
N/A
Runtime: 99
A precocious youngster's visions of a mysterious woman and a series of child murders leads her mom to seek help from the authorities.
Art Direction:
Benno Tutter
Assistant Editor:
Tad Seaborn
Best Boy Grip:
Kirby Azuma
Boom Operator:
Paul McGlashan
Camera Operator:
Kenneth J. Withers
Casting:
Nelleke Privett
Julie Mossberg
Costume Design:
Melanie Jennings
Director:
Don McBrearty
Director of Photography:
François Protat
Editor:
Ronald Sanders
Executive Producer:
Philip Rogers
First Assistant Director:
William Spahic
Focus Puller:
Christopher Raucamp
Gaffer:
Gabriele DiChiara
Hairstylist:
Lucy Orton
Key Grip:
David Pamplin
Line Producer:
Terry Gould
Location Manager:
Michael Tough
Makeup Artist:
Carme Tenuta
Mary Hagerman
Original Music Composer:
Glenn Morley
Marvin Dolgay
Producer:
Julian Marks
Production Accountant:
Brenda Kulvietis
Production Coordinator:
Nadia Rajewski
Production Design:
William Fleming
Production Manager:
Clara George
Property Master:
Penny Gay
Script Supervisor:
Nancy Markle
Second Assistant Director:
Ken A. Smith
Set Decoration:
Brendan Smith
Sound Mixer:
Bryan Day
Sound Re-Recording Mixer:
Terry Gordica
Steve Foster
Storyboard Artist:
Ron Hobbs
Stunt Coordinator:
Larry A. McLean
Title Designer:
Jeanne Beveridge
Transportation Coordinator:
Matthew Wolchock
Writer:
Don Henry
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.