A work in constant progress (and occasional regress).
Release Date:
January 1, 1975
Original Title:
Same Difference
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 17
Al Wong’s Same Difference was composed over the course of a year, a 16mm camera set up on a tripod in the artist’s kitchen capturing views of the San Francisco hills through a large double window. Artist Ursula Schneider sits on a chair underneath the window, her presence and stillness an essential part of the work. With Schneider’s body in the centre of the frame, Wong shot freely at different times of day and night, cloudy or empty skies, and experimented with in-camera effects and editing to compose complicated choreographies of light, clouds and atmosphere.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.