A work in constant progress (and occasional regress).
Release Date:
October 4, 2018
Original Title:
A Picnic Table, At Dusk
Genres:
Drama
Production Companies:
Hardline Films
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 11
A grieving teen has a mysterious correspondence with an unseen stranger by leaving messages on a picnic table at the park near her house.
Art Direction:
Jess Danielle
Assistant Camera:
Sydney Metz
Assistant Set Dresser:
Michaela Knight
Associate Producer:
Jonathan Foley
BTS Photographer:
Ryle Yazzie
Base Camp Operator:
Nicole Bartlett
Best Boy Electric:
Pedro Gonzalez
Best Boy Grip:
Brian Battaglino
Boom Operator:
Nicholas D. Ward
Cinematography:
Matthew Wilson
Co-Producer:
Tiffany Sherie Neeley
Colorist:
Sam Daley
Costume Design:
Brittnee Holmquist
Craft Service:
Sydney Potadle
Digital Intermediate Assistant:
Ben Federman
Digital Intermediate Producer:
James Reyes
Director:
Sheridan O'Donnell
Editor:
Robert Dugan
Finishing Producer:
Jordan P.H. Stein
First Assistant Camera:
Allen Hrynick
First Assistant Director:
Joaquin Chavana
Gaffer:
Ryan Halsey
Hairstylist:
Mindi Coats
Head of Production:
Jay Tilin
Key Grip:
Julian Quiambao
Makeup Artist:
Janine Maloney
Manager of Operations:
Ethan Leight
Mix Technician:
Tom Efinger
Producer:
Jenn Garcia
Keagan Karnes
Production Assistant:
Maria Garcia-Quezada
Max Nilsson
Bryndan Gardner
Landon Ortiz
Production Design:
Claudia Azurmendi
Second Assistant Camera:
Will Tatman
Second Assistant Director:
Aidan Viscarra
Set Decoration:
Joe Reeves
Sound Mixer:
Abigail Savage
Sound Recordist:
Bil Clement
Writer:
Sheridan O'Donnell
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.