A work in constant progress (and occasional regress).
Featuring:
Dobromir Dymecki, Albert Osik, Sebastian Pawlak
Written by:
Anna Jadowska
Sylwester Jakimow
Directed by:
Sylwester Jakimow
Release Date:
March 25, 2022
Original Title:
Jakoś to będzie
Genres:
Comedy
Production Companies:
Canal+ Polska
Kino Świat
PISF
Stowarzyszenie Filmowców Polskich
Studio Munka
Production Countries:
Poland
Ratings / Certifications:
N/A
Runtime: 89
The protagonists of the film are three typical losers in their 30s - Albert, Marcin, and Jacek - childhood friends still living with their parents in blocks of flats on the outskirts of the town. Their friendship remained strong throughout the years, even though it doesn't always inspire them to move on with their lives. Their individual stories, which we learn about in a series of flashbacks, where a streak of failures, brought about by their and their friends' stupidity and irresponsibility.
Administration:
Robert Strojek
Assistant Director:
Karolina Charemska
Assistant Production Design:
Gabriela Bliźniuk
Assistant Production Manager:
Aleksandra Goral
CG Supervisor:
Miron Błocki
Camera Operator:
Malte Rosenfeld
Casting:
Paweł Czajor
Ewa Brodzka
Catering:
Konrad Bugaj
Artur Binder
Anna Palak
Igor Rowicki
Compositing Artist:
Sylwester Lipiński
Jakub Petruk
Agnieszka Ratyńska
Sergii Kostyshyn
Roman Pron
Janusz Budzyn
Compositing Supervisor:
Tomasz Tejchman
Costume Design:
Małgorzata Karpiuk
Dialogue Editor:
Michał Bagiński
Digital Intermediate:
Ireneusz Dąbrowski
Jakub Sokołowski
Director:
Sylwester Jakimow
Director of Photography:
Malte Rosenfeld
Editor:
Ireneusz Grzyb
Executive Producer:
Ewa Jastrzębska
Grip:
Tomasz Sternicki
Rafał Kołodziej
Health and Safety:
Wojciech Konkol
Interior Designer:
Anna Anosowicz
Anna Pabisiak
Makeup Department Head:
Jolanta Grzelak
Master Lighting Artist:
Łukasz Głaszczka
Music Consultant:
Aneta Brykalska
Agnieszka Kulczycka
Musician:
Marcin Macuk
Original Music Composer:
Marcin Macuk
Producer:
Jerzy Kapuściński
Jacek Bromski
Production Coordinator:
Joanna Ochman
Production Design:
Anna Anosowicz
Anna Pabisiak
Production Manager:
Sylwia Rajdaszka
Props:
Piotr Sobowiec
Public Relations:
Anna Wróblewska
Script:
Katarzyna Koniarz
Simulation & Effects Artist:
Krzysztof Kozłowski
Sound:
Jerzy Murawski
Kacper Habisiak
Marcin Kasiński
Sound Director:
Kacper Habisiak
Marcin Kasiński
Sound Effects Editor:
Krzysztof Chodkiewicz
Steadicam Operator:
Jacek Drofiak
Still Photographer:
Celestyna Król
Stunt Coordinator:
Jacek Jeleń
Stunts:
Jacek Jeleń
Paweł Kowalski
Tomasz Lipski
Janusz Mazurkiewicz
Piotr Nawrocki
Translator:
Agata Rudowska
VFX Supervisor:
Marcin Drabiński
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.