A work in constant progress (and occasional regress).
Release Date:
September 22, 2022
Original Title:
Eike: Tudo ou Nada
Genres:
Crime | Drama
Production Companies:
Morena Filmes
Star Original Productions
Production Countries:
Brazil
Ratings / Certifications:
BR: 12
Runtime: 110
In 2006, when the Brazilian economy was taking off due to the discovery of oil in the pre-salt layer, Eike Batista decided to create the oil company OGX and hired the best men from Petrobras to participate in the pre-salt auction. But megalomaniacal plans and a series of misguided decisions and alliances cause their empire to crumble as spectacularly as it had grown. And Brazil watches, perplexed, the fall of Eike, who loses all his fortune, power and prestige. Inspired by the book by journalist Malu Gaspar.
Art Direction:
Dina Salem Levy
Associate Producer:
Mariza Leão
Marcio Fraccaroli
Book:
Malu Gaspar
Casting Director:
Ciça Castello
Continuity:
Carmem Levy
Costumer:
Inês Salgado
Director:
Dida Andrade
Andradina Azevedo
Director of Photography:
Andradina Azevedo
Editor:
Maria Rezende
Executive Producer:
Mauro Pizzo
First Assistant Director:
Marco Antonio de Carvalho
Camila Nicodemos
Camila Magalhães
Makeup Artist:
Rose Verçosa
Original Music Composer:
Flavio Iannuzzi
Producer:
Tiago Rezende
Second Assistant Director:
Nara Marinho
Sound:
Felipe Machado
Sound Designer:
Ricardo Cutz
Matheus Miguens
Sound Mixer:
Ricardo Cutz
Third Assistant Director:
Pati Silveira
Writer:
Dida Andrade
Andradina Azevedo
Writers' Assistant:
Sílvio Guindane
Thomas Stravos
Toti Loureiro
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.