A work in constant progress (and occasional regress).
Release Date:
March 30, 1966
Original Title:
Cast a Giant Shadow
Alternate Titles:
La sombra de un gigante
Genres:
Drama | War
Production Companies:
Batjac Productions
Bryna Productions
Llenroc Productions
The Mirisch Company
United Artists
Production Countries:
United States of America
Ratings / Certifications:
BR: e Livre DE: 12 PT: e Livre
Runtime: 146
An American Army officer is recruited by the yet to exist Israel to help them form an army. He is disturbed by this sudden appeal to his Jewish heritage. Each of Israel's Arab neighbors has vowed to invade the poorly prepared country as soon as partition is granted. He is made commander of the Israeli forces just before the war begins.
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Art Direction:
Arrigo Equini
Assistant Director:
Jack N. Reddish
Charles R. Scott Jr.
Tim Zinnemann
Casting:
Lynn Stalmaster
Co-Producer:
Michael Wayne
Costume Design:
Margaret Furse
Director:
Melville Shavelson
Director of Photography:
Aldo Tonti
Editor:
Bert Bates
Gene Ruggiero
Hairstylist:
Vasco Reggiani
Lighting Technician:
Adolfo Bartoli
Makeup Artist:
Dave Grayson
Euclide Santoli
Robert J. Schiffer
Matte Painter:
Joseph Nathanson
Music Editor:
Richard Carruth
Orchestrator:
Jack Hayes
Leo Shuken
Original Music Composer:
Elmer Bernstein
Producer:
Melville Shavelson
Production Design:
Michael Stringer
Production Manager:
Nate H. Edwards
Production Supervisor:
Allen K. Wood
Property Master:
Joe LaBella
Screenplay:
Ted Berkman
Melville Shavelson
Script Supervisor:
Marion Mertes
Second Unit Cinematographer:
Marko Ya'acobi
Second Unit Director:
Jack N. Reddish
Set Decoration:
Ferdinando Ruffo
Sound:
David Bowen
Sound Editor:
Chuck Overhulser
Sound Re-Recording Mixer:
Clem Portman
Special Effects:
Sass Bedig
Unit Manager:
Patrick J. Palmer
Unit Production Manager:
Shlomo Mugrabi
Wardrobe Supervisor:
Annalisa Nasalli-Rocca
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.