A work in constant progress (and occasional regress).
Release Date:
November 3, 2022
Original Title:
Carvão
Alternate Titles:
Quando Minha Vida Era A Minha Vida
交易
Genres:
Crime | Drama | Thriller
Production Companies:
AjiMolido Films
Biônica Filmes
Montecine SAS
Superfilmes
YourMama
Production Countries:
Argentina | Brazil
Ratings / Certifications:
BR: 14|18 GB: 15 NL: 16 RO: 18
Runtime: 107
In the Brazilian countryside, a family straining to care for their bedridden patriarch have their lives changed when a shady nurse offers a diabolical deal: put their elder to rest and host an Argentinian drug kingpin who urgently needs a place to hide.
Director:
Carolina Markowicz
Director of Photography:
Pepe Mendes
Editor:
Lautaro Colace
Music:
Alejandro Kauderer
Producer:
Zita Carvalhosa
Carolina Markowicz
Alejandro Israel
Yamila Barnasthpol
Karen Castanho
Lara Lima
Producer's Assistant:
Gabriel Fonseca
Production Designer:
Marinês Mencio
Natalia Krieger
Sound:
Diego Martínez
Filipe Derado
Writer:
Carolina Markowicz
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.