Home

Until We Meet Again (2022) [N/A]

Featuring:
Jackson Rathbone, Janel Parrish, Michael Madsen

Written by:
Pece Dingo

Directed by:
Pece Dingo


Release Date:
February 15, 2022

Original Title:
Until We Meet Again

Alternate Titles:
The Concerto

Genres:
Drama | Fantasy | Romance

Production Companies:
1091 Pictures
RoadReady Productions

Production Countries:
United States of America

Ratings / Certifications:
 N/A

Runtime: 91

Death is not the end.

Overview from TheMovieDB

A woman finds her new house is haunted by the ghost of a young pianist.

Click the heading above to show or hide the text.

Overview from Open Movies

For thirty-five years the ghost of EDDIE CONWAY a passionate young pianist has haunted an old house in the Hollywood Hills, unable to move on without completing his piano concerto. Then a pretty Midwestern girl, LISA WAGNER, moves in and disrupt his afterlife. Lisa is also a musician, a young unknown with dreams of her own, and her spirit connects with Eddie's. The girl and the ghost find each other thru music. Lisa and Eddie become fond of each other. Naturally their fondness turns to romance, but they both know it's impossible. They resist the attraction as long as they can. Eventually love overcomes even death, then tragedy strikes.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Teaser

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Rankings and Honors

Until We Meet Again (2022) on IMDb
Internet Movie Database 4.4/10

Performers

Click the heading above to show or hide the list.

Production

Cinematography:
Gary Capo

Continuity:
Mario Aguja

Director:
Pece Dingo

Script Supervisor:
Mario Aguja

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.