A work in constant progress (and occasional regress).
Release Date:
January 1, 2005
Original Title:
ロックマンエグゼ 光と闇の遺産(プログラム)
Alternate Titles:
Gekijouban Rockman.EXE Hikari to Yami no Program
Megaman NT Warrior - O Programa de Luz e Trevas
Rockman.EXE: Hikari to Yami no Program
洛克人EXE 光与暗之遗产
洛克人EXE 光與黑暗的遺產
Genres:
Action | Animation | Science Fiction
Production Companies:
Capcom
XEBEC
Production Countries:
Japan
Ratings / Certifications:
AU: PG JP: PG12
Runtime: 50
The Dematerialization Phenomenon, in which the real world becomes digital, has become a problem and must be resolved immediately. After hearing of this incident, Netto and Rockman left off after their father and Network Researcher, Yuuichirou. He also had found news of an invasion in the computer of the Trinity Brain trust company: 'The Earth itself will understand the way things stand in the cyber world'. In order to destroy the program causing the incident, Netto and Rockman have to go deep underground. But old enemies await them there, as well as new ones. As they fought each other, the vicious cyber-life, Nebula Grey, awakens. The Dematerialization Phenomenon will not be stopped unless Nebula Grey is defeated.
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Animation:
Hidenori Miyazawa
Yuji Ito
Shouji Endo
Yasuyuki Yamada
Aya Takano
Hee Won Kang
Chizuru Kobayashi
Daisuke Hiramaki
Bo Mi Jang
Chie Akino
Eriko Sakai
Hye Jin Jo
Ahn Hyo-jeong
Animation Director:
Mitsuru Ishihara
Shinichi Yamaoka
Akihisa Maeda
Shingo Adachi
Masaki Tanaka
Akio Takami
Tadashi Sakazaki
Art Designer:
Junko Nagasawa
Art Direction:
Hachidai Takayama
Toshihisa Koyama
Isao Yoshimura
Assistant Editor:
Ayumu Takahashi
Satoko Ogino
Background Designer:
Haruka Ohsawa
Naomi Nishitani
Riemi Matsuzawa
Tsuneto Nonomiya
Wakaba Okamoto
Shin'ichirō Uchiyama
Yukiko Hanajima
Yuri Hamatani
Riko Sudo
Yukiko Nakayama
Chitose Asakura
Fumie Kawai
Yoshimi Umino
Kiyoko Sugano
Naoki Aoyama
Harue Akiyama
Shin Watanabe
Tomohiro Nakau
Yukiko Ogawa
Takako Motouchi
Yasunori Hishinuma
Yūko Shirasu
Katsuhiro Yamada
Kaori Motojima
Megumi Ogawa
Kuniko Miyake
Tomomi Kato
CG Engineer:
Hiroyuki Tanaka
Naofumi Asahi
Jinya Kitsui
Masaya Tsuchiya
Shin'ichi Satō
Takahiko Ehara
Takahiro Yoshida
Ai Murakami
Yumie Kojima
Akimune Tanaka
Junki Honma
Naomi Fukuda
Kazuo Yamaguchi
Saeko Kitsui
Takeo Maruyama
Tsuyoshi Nakano
Mitsuaki Endo
Tadatoshi Inaba
Tōru Miyatake
Midori Chōgyōji
Jun Kuriyama
Kōsuke Uchiura
Mifumi Suzuki
Hiroyuki Yamada
Noriyuki Mizutani
Tomokazu Takahashi
Yūichi Ishii
Satoshi Omote
Keiko Yoshitomi
Hirofumi Horii
Shingo Kamiyama
Takashi Sawada
CG Supervisor:
Jun'ya Takakura
Casting:
Yūko Tsukane
Character Designer:
Mitsuru Ishihara
Color Designer:
Natsuyo Ban
Development Manager:
Hiroaki Hirabayashi
Digital Effects Supervisor:
Daisuke Kusaka
Digital Intermediate:
Noboru Nishio
Digital Producer:
Munehiro Nishiyama
Director:
Takao Kato
Director of Photography:
Katsutoshi Hirose
Dolby Consultant:
Tsutomu Kawahigashi
Mikio Mori
Editor:
Toshio Henmi
Executive Producer:
Souichi Akiyama
Osamu Kamei
Keita Satou
Kazuharu Chiba
Haruhiro Tsujimoto
Shohei Izawa
Toshihiro Nakazawa
Yasuyuki Sagami
Key Animation:
Tsuyoshi Matsuura
Yoshio Hashimoto
Shinichi Iimura
Yoshimitsu Yamashita
Yoshitaka Sato
Takenori Tsukuma
Yoshifumi Nakamura
Tadashi Kubo
Seiji Kishimoto
Shigemi Aoyagi
Ruriko Watanabe
Yumiko Ishii
Music:
Shuhei Naruse
Producer:
Hidenori Miyazawa
Toshihiro Tokumaru
Tadahisa Itou
Takuya Yui
Screenplay:
Kenichi Araki
Sound Director:
Jin Aketagawa
Storyboard:
Takao Kato
Technical Supervisor:
Michihiko Iwana
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.