A work in constant progress (and occasional regress).
Release Date:
August 7, 1998
Original Title:
Snake Eyes
Alternate Titles:
Mauvais oeil
Oczy weza
Omicidio in diretta
Os Olhos da Serpente
Silmapete
Snake Eyes (Ojos de serpiente)
Spiel auf Zeit
To vlemma tou fidiou
Zmijske oči
Глаза змeи
Змийски очи
Genres:
Crime | Drama | Mystery | Thriller
Production Companies:
DeBart
GP Snake Eyes Productions
Paramount Pictures
Touchstone Pictures
Production Countries:
Canada | Mexico | United States of America
Ratings / Certifications:
AU: M BR: 16 CH: 16 CZ: 12+ DE: 12 ES: 12 FR: U GB: 15 GR: 16 IE: 15 JP: G KR: 15 NL: 12 PT: M/12 US: R
Runtime: 98
All bets are off when shady homicide cop Rick Santoro witnesses a murder during a boxing match. It's up to him and lifelong friend, Naval intelligence agent Kevin Dunne to uncover the conspiracy behind the killing. At every turn, Santoro makes increasingly shocking discoveries that even he can't turn a blind eye to.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Kenton Jakub
ADR Mixer:
David Boulton
Additional Third Assistant Director:
Debra Pearl
Apprentice Sound Editor:
Byron Wong
Art Department Assistant:
Madeline Gonin
Art Direction:
James Fox
Isabelle Guay
Réal Proulx
Assistant Accountant:
George 'Skip' Henfling
Assistant Art Director:
Hélène Lafrance
Assistant Camera:
Vance Piper
Assistant Chief Lighting Technician:
Gilles Fortier
Assistant Location Manager:
Carey DePalma
Assistant Makeup Artist:
Catherine Lamey
Assistant Production Coordinator:
Yanie Salvas
Andrew Durham
Assistant Property Master:
Kelly Canfield
Assistant Unit Manager:
Catherine Bérubé
Associate Producer:
Jeff Levine
Chris Soldo
Best Boy Electric:
Jon Philion
Best Boy Grip:
David Canestro
Boom Operator:
Denis Dupont
Camera Operator:
Gordon Hayman
Carpenter:
Alain Brochu
Casting:
Mary Colquhoun
Casting Assistant:
Sig De Miguel
Casting Associate:
Mark Christian Subias
Clapper Loader:
Roch Boucher
Color Timer:
Dennis McNeill
Compositing Supervisor:
Thomas Rosseter
Construction Coordinator:
Michel Brochu
Costume Design:
Odette Gadoury
Craft Service:
Yvonne M. Gabrielli
Dialogue Editor:
Marlena Grzaslewicz
Digital Compositors:
Patrick Brennan
Director:
Brian De Palma
Director of Photography:
Stephen H. Burum
Dolby Consultant:
Bradford L. Hohle
Dolly Grip:
Michael S. Epley
Driver:
Vito G. Balenzano
Editor:
Bill Pankow
Electrician:
Tom Cloutier
Executive Producer:
Louis A. Stroller
Extras Casting:
Randi Wells
First Assistant Camera:
Alan S. Blauvelt
First Assistant Director:
Chris Soldo
First Assistant Editor:
Patricia Bowers
First Company Grip:
Dennis Gamiello
Foley Artist:
Brian Vancho
Foley Editor:
Bruce Kitzmeyer
Foley Mixer:
George A. Lara
Gaffer:
Dan Michalske
Generator Operator:
William LeNoir
Graphic Designer:
Carl Lessard
Grip:
Carl Assmus
Hairstylist:
Joseph Coscia
Key Grip:
Bill Barr
Key Set Production Assistant:
Geoff Murillo
Leadman:
Gerald DeTitta
Libra Head Technician:
Kelly Diehl
Lighting Technician:
Eames Gagnon
Location Coordinator:
Peter Wasserman
Location Manager:
Joie Gregory
Makeup Artist:
Claudette B. Casavant
Music Editor:
Nicholas Meyers
Negative Cutter:
Theresa Repola Mohammed
Original Music Composer:
Ryuichi Sakamoto
Producer:
Brian De Palma
Production Assistant:
Donald Hudome
Production Coordinator:
Marie-Josée Dupont
Production Design:
Anne Pritchard
Production Manager:
Alain Gagnon
Production Secretary:
Heather MacLean
Property Buyer:
Claire Alary
Property Master:
Denis Hamel
Rigging Gaffer:
Robert Dolan
Scenic Artist:
Clarissa Shanahan
Screenplay:
David Koepp
Script Supervisor:
Claudine Strasser
Second Assistant Camera:
Claude Beauchamp
Second Assistant Director:
Jono Oliver
Second Company Grip:
Jon Archibald
Second Second Assistant Director:
Lisa Bloom
Second Unit Director:
Eric Schwab
Second Unit First Assistant Director:
David Hamburger
Set Decoration:
Daniel Carpentier
Sound Assistant:
Jean-Marin Basley
Sound Effects Editor:
Eytan Mirsky
Sound Mixer:
Patrick Rousseau
Special Effects Assistant:
Steve Cremin
Special Effects Coordinator:
Steven Kirshoff
Special Effects Supervisor:
Garry Elmendorf
Special Effects Technician:
Guy Carriere
Special Props:
Erik Gosselin
Stand In:
Pamela Hill
Steadicam Operator:
Larry McConkey
Still Photographer:
John Clifford
Story:
Brian De Palma
David Koepp
Stunt Coordinator:
Peter Bucossi
Mike Nomad
Eddie Yansick
Michael Scherer
Stunt Double:
Alisa Christensen
Eddie Yansick
Stunts:
Bill Anagnos
Hélèna Laliberté
Mike Chute
Charlene Francique
Nathalie Girard
Ben Gauthier
Stéphane Lefebvre
David McKeown
Patrick Kerton
Alvin Powell
Supervising ADR Editor:
Jane McCulley
Supervising Dialogue Editor:
Laura Civiello
Supervising Sound Editor:
Richard P. Cirincione
Technical Advisor:
Gene Petersen
Thanks:
Richard Santoro
Third Assistant Director:
Michelle Benoit
Title Designer:
Jennifer Cossetto
Transportation Captain:
Tim Parkinson
Transportation Co-Captain:
Henry S. Avelin
Transportation Coordinator:
Daniel Matthews
Unit Manager:
Jim Kontos
Unit Production Manager:
Margaret Hilliard
Unit Publicist:
Lorraine Jamison
Video Assist Operator:
Steven J. Mikolas
Visual Effects Coordinator:
Margaret B. Lynch
Visual Effects Editor:
Tabitha Dean
Visual Effects Producer:
Jacqui Lopez
Visual Effects Production Assistant:
Daniel Brimer
Visual Effects Supervisor:
Eric Brevig
Wigmaker:
Carol F. Doran
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.