A work in constant progress (and occasional regress).
Release Date:
November 21, 2018
Original Title:
Paname, le fantôme du Grand Français
Genres:
Documentary | History
Production Companies:
Avril Films
Dazca Productions
Jaguar Films
Prodéine Films
Production Countries:
France | Panama
Ratings / Certifications:
N/A
Ferdinand de Lesseps, known as “The Great Frenchman”, will embark in the greatest adventure of his life: To unite the Pacific and Atlantic oceans through a Canal in the Isthmus of Panama – without knowing that this will cost him his reputation, thousands of innocent lives and the biggest financial scandal of all time, up to that point: the famous “Scandal of Panama”. Today, the French capital is known as “Paname”.
Animation:
Jonathan Guerra
Ambroise Becchio
Assistant Camera:
Oscar Pacheco Velasquez
Elisa Mislov
Assistant Director:
Alexandre de Villeneuve
Director:
Daniel Zapateiro
Director of Photography:
Alvis Gonzàles
David Goudier
Ambroise Becchio
Executive Producer:
Bernardo Kenny
Gaffer:
Warren Mitchell
Location Manager:
Lucas Marchione
Machinist:
Roberto Corrales
Patrocinio Patiño
Producer:
Luis Pacheco
Alexandre de Villeneuve
Daniel Zapateiro
Production Assistant:
Lina Natalia Martínez
Mirna Arcia
Nereyda Morales
Production Coordinator:
Marcela Bejarano
Natalia Cárdenas
Scientific Consultant:
Marc de Banville
Sound Engineer:
Dennis Serrano
Victor Loeillet
Lucas Héberlé
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.