A work in constant progress (and occasional regress).
Release Date:
August 26, 1992
Original Title:
Alyas Pogi 2
Genres:
Action
Production Companies:
Moviestars Production
Production Countries:
Philippines
Ratings / Certifications:
N/A
Runtime: 111
A 1992 Filipino film starring Bong Revilla, Rita Avila, Charito Solis, and Jay Ilagan.
ADR Supervisor:
Lucy Quinto
Armorer:
Paul Poscablo
Art Direction:
Danny Cristobas
Abel Molina
Assistant Director:
Eddie Pajarillo
Bobby Trofeo
Assistant Editor:
Eddie Hucom
Joyce E. Bernal
Mario Mendoza
Assistant Production Manager:
Wilmor Escala
Edgar Garcia
Associate Producer:
Edgar Abanilla
Camera Operator:
Danny Bustos
Ricardo Herrera
Loreto Isleta
Danny Lobo
Jun Rasca
Continuity:
Olive Madridejos
Director:
Toto Natividad
Director of Photography:
Edmund Cupcupin
Rey Lapid
Editor:
Ruben Natividad
Executive Producer:
Wally Chua
Victor Villegas
Fight Choreographer:
Baldo Marro
Line Producer:
Maricar Dionisio
Makeup Artist:
Malou Talplacido
Music:
Mon del Rosario
Post Production Coordinator:
Rodel Guido
Production Design:
Arthur Santamaria
Production Manager:
Tony Dela Paz
Roger Vivero
Props:
Bong Camilon
Erning Escobar
Bert Isleta
Roland Tapang
Schedule Coordinator:
Rene Gracilla
Screenplay:
Jun Lawas
Amado Lacuesta
Sound Effects:
Rogelio Benlot
Jun Martinez
Mike Martinez
Cocoy Sanchez
Sound Engineer:
Rolly Ruta
Special Effects:
Joe Arellano
Loren Arellano
Domeng Domingo
Cholo Gallegos
Noli Magat
Gerry Manansala
Romy Mendoza
Ambo Perez
Edong Ragasa
Darwin Torrente
Erwin Torrente
Special Effects Supervisor:
Erick Torrente
Still Photographer:
Nilo Suarez
Story:
Jun Lawas
Amado Lacuesta
Stunts:
Barracuda Stuntmen
Nash Espinosa
Gil Gaganti
Harris Mantezo
Paco Orbita
Roger Santos
Commando Stuntmen
Original Thunder Stuntmen
Supervising Producer:
Ramon Salvador
Wardrobe Supervisor:
Marlyn Lagasca
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.