A work in constant progress (and occasional regress).
Release Date:
September 9, 2005
Original Title:
The Exorcism of Emily Rose
Alternate Titles:
Egzorcizam Emili Rouz
Egzorcizam Emily Rose
El Exorcismo De Emily Rose
El Exorcismo de Emily Rose
Emiles Rouz Egzorcizmas
Emily Rosen riivaaja
Exorcism of Emily Rose
L'esorcismo di Emily Rose
The Exorcism of Emily Rose - UR
Un caz de exorcizare
Дяволът в Емили Роуз
Шість демонів Емілі Роуз
גירוש השדים של אמילי רוז
エミリー・ローズ
エミリー・ローズ:2005
Genres:
Crime | Drama | Horror | Thriller
Production Companies:
Firm Films
Lakeshore Entertainment
Screen Gems
Production Countries:
United States of America
Ratings / Certifications:
AR: +13 AU: M BR: 14 CA: 14A CH: 14|16 CZ: 15+ DE: 12|16 DK: 15 FI: K-16 FR: 12 GB: 15 GR: K12 HK: IIB HU: 16 IE: 15A IT: VM14 JP: G KR: 12 MX: B-15 NL: 16 PH: PG PL: 18 PT: M/16 RU: 16+ SE: 15 SG: PG13 TR: 16+ TW: 12+ US: PG-13
Runtime: 122
When a younger girl called Emily Rose dies, everyone puts blame on the exorcism which was performed on her by Father Moore prior to her death. The priest is arrested on suspicion of murder. The trial begins with lawyer Erin Bruner representing Moore, but it is not going to be easy, as no one wants to believe what Father Moore says is true.
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ADR Editor:
Karen Spangenberg
ADR Mixer:
Brian Smith
ADR Voice Casting:
Barbara Harris
Animal Coordinator:
Dana Dubé
Art Department Assistant:
Adrian Hrytzak
Art Department Coordinator:
Heather Watson
Art Direction:
Sandi Tanaka
Assistant Art Director:
Kendelle Elliott
Assistant Chef:
Tina Perenseff
Assistant Costume Designer:
Karin Nosella
Assistant Editor:
Jason Dale
Assistant Location Manager:
Jason Collier
Assistant Production Coordinator:
Penny Rogers
Assistant Property Master:
Marta McLaughlin
Assistant Sound Engineer:
Daniel Wehr
Best Boy Electric:
Shane Dobie
Best Boy Grip:
Michael Cox
Boom Operator:
Michael Hibberson
Camera Operator:
Stephen S. Campanelli
Andrew D. Wilson
Camera Trainee:
Cynthia Greer
Carpenter:
Warren Dunlop
Casting:
Nancy Nayor
Casting Assistant:
Kevin Arens
Casting Associate:
Kelly Wagner
Chef:
Mike Cook
Chief Lighting Technician:
John Adams
Conductor:
Allan Wilson
Construction Buyer:
Jan Holmsten
Construction Coordinator:
Doug Hardwick
Costume Design:
Tish Monaghan
Craft Service:
Glenn Mowatt
Dialogue Editor:
Karen Spangenberg
Digital Compositors:
Ernie Camacho
Digital Intermediate Editor:
Ron Barr
Director:
Scott Derrickson
Director of Operations:
Harvey Lowry
Director of Photography:
Tom Stern
Dolly Grip:
Jack Cruikshank
Dresser:
Mark Prior
Driver:
Dave Ash
Editor:
Jeff Betancourt
Executive Producer:
Andre Lamal
David McIlvain
Terry McKay
Julie Yorn
Extras Casting:
Andrea Brown
Extras Casting Assistant:
Andrea Hughes
First Assistant Accountant:
Jason Elsworth
First Assistant Camera:
Sean M. Harding
First Assistant Director:
Morgan Beggs
First Assistant Editor:
Andrew Loschin
First Assistant Makeup Artist:
Bev Wright
First Assistant Sound Editor:
Joseph Bonn
Foley:
Pamela Kahn
Foley Artist:
Vincent Guisetti
Foley Editor:
Richard C. Franklin
Jussi Tegelman
Foley Mixer:
Kyle Rochlin
Gaffer:
Andrew W. Davidson
Generator Operator:
David Goyer
Graphic Designer:
Sally Hudson
Greensman:
Glenn Foerster
Grip:
Ben Rusi
Hairstylist:
James D. Brown
Jeffrey Sacino
Head Driver:
Rick Tait
Key Grip:
Dillard Brinson
Key Hair Stylist:
Sherry Linder-Gygli
Key Rigging Grip:
Kevin McCloy
Lead Painter:
Madonna Blunt
Lead Set Dresser:
Laurie Edmundson
Lighting Technician:
Bill Dawson
Line Producer:
David Scott Rubin
Location Manager:
Rino Pace
Location Production Assistant:
Stephen Chan
Location Scout:
Kirk Adamson
Makeup Artist:
Victoria Down
Mindy Hall
Gitte Axen
Makeup Effects:
Keith VanderLaan
Chris Gallaher
Mixing Engineer:
Robert Fernandez
Music Editor:
Thomas Milano
Music Supervisor:
Darian Pollard
Orchestrator:
Anton Koch
Original Music Composer:
Christopher Young
Paint Coordinator:
Jean-Paul Costaz
Post Production Assistant:
David Frisk
Post Production Supervisor:
Diana Tauder
Producer:
Paul Harris Boardman
Beau Flynn
Gary Lucchesi
Tom Rosenberg
Tripp Vinson
Production Accountant:
Don Orlando
Production Assistant:
Brian Key
Production Consultant:
Gary J. Gross
Production Coordinator:
Jasmine Barry
Production Design:
David Brisbin
Production Secretary:
Jamie Feldman
Production Supervisor:
Ted Gidlow
Property Master:
Wayne McLaughlin
Rigging Gaffer:
Keith Woods
Rigging Grip:
Richard LaBossiere
Scenic Artist:
Janis Lee
Screenplay:
Paul Harris Boardman
Scott Derrickson
Script Supervisor:
Christine Wilson
Second Assistant Camera:
Lisa Guerriero
Second Assistant Director:
Mark Bunting
Second Assistant Production Coordinator:
Andrew Bronstein
Second Unit Director:
Dean Choe
Set Costumer:
Lee Sollenberger
Set Decoration:
Lesley Beale
Set Decoration Buyer:
Audra Neil
Cynthia Burtinshaw
Set Designer:
Chris Beach
Jay Mitchell
Set Supervisor:
Michelle Hunter
Sound Effects Editor:
Jussi Tegelman
Richard C. Franklin
Sound Mixer:
Steven A. Morrow
Sound Re-Recording Mixer:
Todd Grace
Marti D. Humphrey
Special Effects Assistant:
Chris Flemington
Special Effects Coordinator:
William H. Orr
Stand In:
Elle Paterson
Standby Painter:
Colin Gillett
Still Photographer:
Diyah Pera
Story Editor:
Monica Sandstede
Storyboard Artist:
Michael Anthony Jackson
Stunt Coordinator:
Dean Choe
J.J. Makaro
Stunts:
Sharon Simms
Caroline Field
Supervising Sound Editor:
Paul N.J. Ottosson
Third Assistant Director:
Sean Osmack
Transportation Captain:
Norman Hunger
Transportation Coordinator:
Jake Callihoo
Truck Costumer:
Elaine Arsens
Unit Production Manager:
Penny Gibbs
Unit Publicist:
Gloria Davies
Visual Effects:
Keith VanderLaan
Visual Effects Producer:
J.M. Logan
Diana Tauder
Visual Effects Production Assistant:
Zack Fox
Visual Effects Supervisor:
Michael Shelton
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.