A work in constant progress (and occasional regress).
Release Date:
March 15, 1979
Original Title:
Contro 4 bandiere
Alternate Titles:
Contro 4 bandiere
De l'enfer à la victoire
Del infierno a la victoria
戰地六壯士
Genres:
War
Production Companies:
José Frade
Les Films Princesse
New Film Production
Production Countries:
France | Italy | Spain
Ratings / Certifications:
DE: 16 NL: 12 US: PG
Runtime: 103
In 1939, at a Paris café, six friends of various nationalities vow to meet again at the same spot after the end of WW2.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Assistant Camera:
Patrick Berau
Filippo Neroni
Giovanni Bonivento
Assistant Costume Designer:
Jo Ranzatto
Assistant Editor:
Carlo Della Corte
Pietro Tomassi
Lamberto Mancini
Assistant Production Design:
Davide Bassan
Boom Operator:
Marcel Corvaisier
Georges Voglio
Camera Operator:
Mario Sbrenna
Michel Lebon
Costume Design:
Luciano Sagoni
Director:
Umberto Lenzi
Director of Photography:
José Luis Alcaine
Editor:
Vincenzo Tomassi
First Assistant Director:
Léonard Guillain
Gaffer:
Francesco Cinti
Marcel Roux
Key Grip:
Roland Reffret
Guglielmo Maga
Line Producer:
Maurizio Amati
Original Music Composer:
Riz Ortolani
Producer:
Edmondo Amati
Production Design:
Giuseppe Bassan
Production Manager:
Jacques Garcia
Enrique Bellot
Production Secretary:
Catherine Dieudonne
Carla Crovato
Property Master:
Paolo Luciani
Screenplay:
José Luis Martínez Mollá
Gianfranco Clerici
Script Supervisor:
Elvira D'Amico
Seamstress:
Ida Cristofori
Second Unit Director:
Enrico Bergier
Set Decoration:
Jean Boulet
Sound:
William Robert Sivel
Sound Mixer:
Romano Pampaloni
Special Effects:
Giovanni Corridori
Still Photographer:
Carlo Alberto Cocchi
Story:
Umberto Lenzi
Unit Manager:
Jean Gallaud
Giandomenico Stellitano
Francisco Bellot
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.