A work in constant progress (and occasional regress).
Release Date:
September 5, 2021
Original Title:
Ucieczka na Srebrny Glob
Genres:
Documentary
Production Companies:
Di Factory
Krakowskie Biuro Festiwalowe
MX35
PISF
Silver Frame
Sound Mind Studio
TVP
WFDiF
Yellow Tapir Films
Production Countries:
Poland
Ratings / Certifications:
N/A
Runtime: 94
A documentary project about what the filmmakers claim to be the greatest, unfulfilled dream of Polish cinema, the 1970s science fiction epic "On the Silver Globe".
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Administration:
Halina Karlińska
Łukasz Posiadała
Animation:
Kacper Zamarło
Assistant Editor:
Oskar Szymański
Camera Operator:
Magdalena Bojdo
Filip Ćwik
Dialogue Editor:
Bartłomiej Bogacki
Digital Intermediate:
Kamil Komorek
Director:
Kuba Mikurda
Director of Photography:
Radek Ładczuk
Editor:
Laura Pawela
Izabela Pająk
Editorial Consultant:
Agnieszka Glińska
Executive Producer:
Tomasz Kolankiewicz
Makeup & Hair:
Adrianna Merska
Agnieszka Załęcka
Master Lighting Artist:
Marcin Sołtys
Music:
Stefan Wesołowski
Musician:
Tomasz Pokrzywiński
Michał Pepol
Krzysztof Pawłowski
Mariusz Mruczek
Producer:
Daria Maślona
Stanisław Zaborowski
Tomasz Rychter
Włodzimierz Niderhaus
Agnieszka Bedkowska
Jędrzej Sablinski
Rafał Golis
Mateusz Wajda
Grzegorz Ruzik
Paweł Ziemilski
Izabela Helbin
Production Manager:
Daria Maślona
Hanna Twardowska-Machnio
Sound:
Anna Rok
Michał Fojcik
Marcin Popławski
Sound Director:
Michał Fojcik
Sound Effects Editor:
Barbara Kapica
Transcriptions:
Joanna Łęgowik-Śliwka
Katarzyna Mikurda
Translator:
Magdalena Cedro
Alicia Deavaux
Maciej Niedźwiedzki
Writer:
Kuba Mikurda
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.