A work in constant progress (and occasional regress).
Release Date:
July 4, 2022
Original Title:
Chelsea FC - Season Review 2021/22
Genres:
Documentary
Production Companies:
PDI Media
Ratings / Certifications:
GB: U
Runtime: 128
In Thomas Tuchel's first full year in charge, the European champions became champions of the world, adding two more trophies to the collection and were sudden-death spot-kicks away from celebrating twice more. Bolstered by the continued emergence of Academy graduates and the returning Romelu Lukaku, Chelsea were a permanent fixture in the Premier League's top four. In the first of the three finals decided by penalty shoot-outs, the UEFA Super Cup was secured in Belfast while Kai Havertz was again the hero as the Blues captured the FIFA Club World Cup. Further silverware was so close, but Chelsea were twice denied by Liverpool. First, in a dramatic 21-goal shoot-out in the final of the Carabao Cup and then agonisingly again in the FA Cup Final. As the Roman Abramovich era at Stamford Bridge came to an end it was still a season of success, but also one of what could have been, although the Blues proved once again we are among the very best.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Author:
Alan Bell
James Holmes
Director:
Thomas Tuchel
Editor:
Kevin Hinde
Executive Producer:
Mark Bell
Grace Rota
Craig South
Graphic Designer:
Adam Greasley
Producer:
Jonathan Sides
Producer's Assistant:
Jennifer Hanratty-Ball
Matthew McGladdery
Production Manager:
Janet Hughes
Writer:
Robert McCaffrey
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.