Home

Saving Private Ryan (1998) [R]

Release Date:
July 24, 1998

Original Title:
Saving Private Ryan

Alternate Titles:
I Diásosi tou Stratióti Ráian
Rescatando al soldado Ryan
Resevanje vojaka Ryana
Salvar al soldado Ryan
Saving Private Ryan
Spasavanje redova Rajana
Spasti ryadovogo Rayana
Spasyavaneto na rednik Raĭŭn
Vryatuvannya ryadovoho Rayana
सेविंग प्राइवेट रायन
プライベート・ライアン
プライベート・ライアン：1998
拯救大兵瑞恩
雷霆救兵

Genres:
Drama | History | War

Production Companies:
Amblin Entertainment
DreamWorks Pictures
Mutual Film Company
Paramount Pictures

Production Countries:
United States of America

Ratings / Certifications:
AR: 16  AU: MA15+  BR: 14  CA: 18A  CH: 16  CZ: 12+  DE: 16  DK: 15  ES: 12  FI: K-16  FR: TP  GB: 15  GR: 16  HK: IIB   HU: 16  IE: 15  IL: PG |16  IS: 16  IT: VM14  JP: R-15  KR: 15  MX: B  NL: 16  NO: 18  NZ: 16  PL: 16  PT: M/14|M/16  RO: 15  RU: 16+  SE: 15  SG: M18   TW: 輔12  US: R 

Runtime: 169

The mission is a man.

Overview from TheMovieDB

As U.S. troops storm the beaches of Normandy, three brothers lie dead on the battlefield, with a fourth trapped behind enemy lines. Ranger captain John Miller and seven men are tasked with penetrating German-held territory and bringing the boy home.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Teaser

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

American Film Institute (AFI)
2001
#45 		100 Years: 100 THRILLS
100 Most Thrilling American Films
2006
#10 		100 Years: 100 CHEERS
100 Most Inspiring Films Of All Time
2007
#71 		100 Years: 100 MOVIES — 10TH ANNIVERSARY EDITION
100 Greatest American Films Of All Time
2008
#8 		Top 10: EPIC
10 Greatest EPIC Films of All Time

Performers

Click the heading above to show or hide the list.

Production

ADR Editor:
Denise Whiting
Thomas Whiting

ADR Mixer:
Dean Drabin

ADR Recordist:
Cary Stratton

ADR Supervisor:
Larry Singer

Aerial Coordinator:
Marc Wolff

Armorer:
Simon Atherton

Art Department Assistant:
Joanna Branch

Art Department Coordinator:
Lavinia Waters

Art Direction:
Tom Brown
Ricky Eyres
Chris Seagers
Alan Tomkins

Assistant Art Director:
Kevin Kavanaugh

Assistant Camera:
David O'Brien

Assistant Chef:
Sarah Linton

Assistant Costume Designer:
Sally Turner

Assistant Dialogue Editor:
Mary Works

Assistant Editor:
Michael Trent
Alexander Garcia

Assistant Hairstylist:
Hugh McAllister

Assistant Location Manager:
Simon Burgess

Assistant Production Coordinator:
Tania Clarke
Clodagh Bowers

Assistant Set Dresser:
Veronique Fletcher
Philippa Bruges

Associate Producer:
Kevin De La Noy
Mark Huffam

Best Boy Electric:
Ricky Pattenden

Best Boy Grip:
Derek Russell

Boom Operator:
Robert Jackson

CG Artist:
Kathleen Beeler

Camera Car:
John Ott

Camera Operator:
Seamus Corcoran

Camera Trainee:
Alan Hall

Carpenter:
David Murphy
Peter N. Brown

Casting:
Denise Chamian

Casting Assistant:
Kara Katsoulis

Catering:
Sara Chappell

Chef:
Colin Anderson

Chief Lighting Technician:
David Devlin
Terry Mulligan

Clapper Loader:
Rosalyn Ellis

Co-Producer:
Bonnie Curtis
Allison Lyon Segan

Color Timer:
Dale E. Grahn

Conductor:
John Williams

Construction Buyer:
Hillery Cope

Construction Coordinator:
Terry Apsey

Costume Assistant:
Fiona Belton

Costume Coordinator:
Sarah Hinch

Costume Design:
Joanna Johnston

Costume Supervisor:
Sheila Fahey

Costumer:
Nigel Boyd

Craft Service:
Aurelia Thomas

Crowd Assistant Director:
Sara Desmond

Daily Wardrobe:
Tom Hornsby

Dialect Coach:
Jessica Drake

Dialogue Editor:
Ewa Sztompke
Sara Bolder

Director:
Steven Spielberg

Director of Photography:
Janusz Kamiński

Draughtsman:
Stephen Bream

Driver:
Gary Birmingham

Editor:
Michael Kahn

Electrician:
Garret Baldwin
Darren Grosch
Alan Grosch
Terry Townsend
Marek Bojsza
Peter O'Toole
Steve Pattenden
Paul Kemp
Neil Munro

First Assistant Camera:
Ciarán Barry

First Assistant Director:
Sergio Mimica-Gezzan

First Assistant Editor:
Richard Byard

Floor Runner:
Nick Hopkins

Foley Artist:
Dennie Thorpe

Foley Editor:
Sandina Bailo-Lape

Foley Mixer:
Tony Eckert

Foley Recordist:
Frank 'Pepe' Merel

Grip:
Philip Murphy

Hairstylist:
Betty Glasow

Key Costumer:
Diana Wilson

Key Grip:
John Flemming

Key Makeup Artist:
Lois Burwell

Key Set Costumer:
Tom Macdonald

Local Casting:
Gillian Reynolds

Location Assistant:
Paul Ashton

Location Coordinator:
Nial Fulton

Location Manager:
Alex Gladstone

Machinist:
Norman Baker

Makeup Artist:
Sian Grigg

Makeup Effects:
Michelle Freeborn

Marine Coordinator:
R.H. Davies

Music Editor:
Kenneth Wannberg

Musician:
James Thatcher

Negative Cutter:
Gary Burritt

Orchestrator:
John Neufeld

Original Music Composer:
John Williams

Painter:
Glenn Start

Post Production Assistant:
Kevin Du Toit

Post Production Coordinator:
Sven E. Fahlgren

Post Production Supervisor:
Erica Frauman

Producer:
Mark Gordon
Steven Spielberg
Ian Bryce
Gary Levinsohn

Production Accountant:
George Marshall

Production Assistant:
Jane Burgess

Production Controller:
Jim Turner

Production Coordinator:
Elaine Burt

Production Design:
Thomas E. Sanders

Production Illustrator:
Matt Codd

Production Manager:
Mark Huffam

Property Master:
Maxie McDonald

Prosthetics Sculptor:
Brendan Lonergan

Script Supervisor:
Ana Maria Quintana

Sculptor:
Andy Hunt

Seamstress:
Pat Williamson

Second Assistant Camera:
Tom Jordan

Second Assistant Director:
Adam Goodman

Second Second Assistant Director:
Karen Richards

Set Costumer:
Marcus Love-McGuirk

Set Decoration:
Lisa Dean

Set Dresser:
Jeff Hay

Set Production Assistant:
Rhys Summerhayes

Sound Design Assistant:
Shannon Mills

Sound Designer:
Gary Rydstrom

Sound Effects Editor:
Frank E. Eulner
Ethan Van der Ryn
Teresa Eckton
E. Larry Oatfield

Sound Mix Technician:
Tony Sereno

Sound Mixer:
Ron Judkins

Sound Re-Recording Mixer:
Gary Summers

Special Effects Assistant:
Katie Gabriel

Special Effects Coordinator:
Carol McAulay

Special Effects Supervisor:
Neil Corbould

Special Effects Technician:
Michael Bartlett

Stand In:
Jason Horwood

Standby Art Director:
Gary Freeman

Standby Carpenter:
Michael Law

Standby Rigger:
Ginger McCarthy

Still Photographer:
David James

Storyboard:
John Greaves

Stunt Coordinator:
Simon Crane

Stunt Double:
Lyndon S. Hellewell

Stunts:
Andy Bennett
Jim Dowdall
Steve Griffin
Dominick Hewitt
Donal O'Farrell
Ray De-Haan
Michael Mohr
Dimo Lipitkovský
Viktor Cervenka
Pavel Cajzl
Paul Heasman
Jeff Hewitt-Davis
Bill Weston
Jürgen Klein
Marc Cass
Jindřich Klaus
Lyndon S. Hellewell
Mark Henson
David Lištván
Sean McCabe
Gary Powell
Steve Caswell
Tony Lucken
Aris Comninos
Pavel Krátký
Jaroslav Peterka
Pavel Vokoun
Neil Finnighan
Dusan Hyska
Paul Herbert
Ray Nicholas
Jaroslav Pšenička
Rob Inch

Supervising Art Director:
Daniel T. Dorrance

Supervising Carpenter:
John Mcgregor

Supervising Sound Editor:
Richard Hymns

Tailor:
Lee Clayton

Third Assistant Director:
Martin Krauka
Daisy Cummins

Transportation Captain:
Brian Baverstock

Transportation Coordinator:
Brian Hathaway

Unit Publicist:
Susan d'Arcy

Utility Stunts:
Stuart Clarke

Video Assist Operator:
Noel Donnellon

Visual Effects Art Director:
Alexander Laurant

Visual Effects Camera:
Robert Hill

Visual Effects Editor:
Bill Kimberlin

Visual Effects Producer:
Kim Bromley

Visual Effects Production Assistant:
Amanda K. Montgomery

Visual Effects Production Manager:
Lori Arnold

Visual Effects Supervisor:
Stefen Fangmeier

Wardrobe Master:
Anthony Black

Writer:
Robert Rodat

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.