A work in constant progress (and occasional regress).
Release Date:
September 16, 2022
Original Title:
La vida padre
Alternate Titles:
Paaudžu cepiens
Жизнь отца
Genres:
Comedy
Production Companies:
Kowalski Films
Mod Producciones
Production Countries:
Spain
Ratings / Certifications:
BR: 14 PR: NR RU: 18+
Runtime: 92
Mikel, a young cook, meets with his father Juan, who had been missing for 30 years. While trying to keep his restaurant afloat, Mikel has to take care of crazed Juan, a former cook who suffers from a mental condition that prevents him from recognizing neither the aforementioned time gap nor his son Mikel.
Casting:
Eva Leira
Yolanda Serrano
Costume Design:
Natacha Fernández Gallardo
Digital Compositor:
Óscar Gómez Maroto
Director:
Joaquín Mazón
Director of Photography:
Ángel Iguacel
Editor:
Jani Madrileño
Executive Producer:
Helen Martí Donoghue
Hairstylist:
Carmen Veinat
Makeup Designer:
Ainhoa Eskisabel
Music Supervisor:
Juan Ibáñez
Orchestrator:
Francisco Lorenzo Alonso
Original Music Composer:
Vicente Ortiz Gimeno
Producer:
Simón de Santiago
Urko Errazquin
Koldo Zuazua
Fernando Bovaira
Production Design:
Juana Mula
Set Decoration:
Carlos Iribarne Momi
Sound Assistant:
Carlos Lacasa
Special Effects:
Mariano Garcia
Still Photographer:
José Haro
David Herranz
Teresa Isasi
Story:
Joaquín Mazón
Olatz Arroyo
Stunt Coordinator:
César Solar
Visual Effects:
Ana Rubio
Juanma Nogales
Visual Effects Coordinator:
Guiomar Urrea
Writer:
Joaquín Oristrell
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.