A work in constant progress (and occasional regress).
Release Date:
July 30, 2021
Original Title:
Love is On the Air
Genres:
Comedy | Drama | Romance
Production Companies:
Pinnacle Peak Pictures
Ratings / Certifications:
N/A
Runtime: 84
Shock jock Adam finds himself on the road to fame and fortune. But when it all falls apart, life takes a romantic detour he never could have expected.
Assistant Director:
Adam Thayer
Assistant Editor:
Michael Barnes
Associate Producer:
Hugh C. Litfin
Boom Operator:
Mario Fernandez
Camera Operator:
Daniel James
Casting:
Kelly Knox
Co-Executive Producer:
Shawn Boskie
Elizabeth Hatcher-Travis
Alysoun Wolfe
Jim Ameduri
Co-Producer:
John Schneider
Alicia Allain
Colorist:
Dan Hook
Costume Designer:
Jolene Caton
Craft Service:
Robin Bjerke
Dialogue Editor:
Erik Reichers
Digital Imaging Technician:
Michael Barnes
Director:
Arvin N. Berner
Director of Photography:
Vincent Moretto
Editor:
Vincent Moretto
Executive Producer:
David A.R. White
Lauren Harper
First Assistant Camera:
Miles Morrison
Gaffer:
Matthew Seest
Key Grip:
Trevor Kolman
Makeup & Hair:
Melanie Olson
Music:
Will Musser
Post Production Supervisor:
Brenton Earley
Producer:
Anna Zielinski
Arvin N. Berner
Vincent Moretto
Sean Stencil
Production Accountant:
Eric Weiler
Production Coordinator:
Kaitlynn Morgan
Production Design:
Eric Raingruber
Property Master:
Katlyn Boone
Script Supervisor:
Adam Thayer
Set Dresser:
Eric Raingruber
Sound Designer:
Dalmar Montgomery
Sound Mixer:
Matt Garman
Sound Re-Recording Mixer:
Dalmar Montgomery
Steadicam Operator:
Daniel James
Still Photographer:
Katlyn Boone
Studio Teacher:
Joelle Bruce
Unit Production Manager:
Robin Bjerke
Visual Effects:
Eric Raingruber
Writer:
Tommy Blaze
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.