A work in constant progress (and occasional regress).
Release Date:
December 31, 2021
Original Title:
Love Knots
Genres:
Comedy | Romance | TV Movie
Production Companies:
Incendo Productions
Screentime
Production Countries:
Canada | New Zealand
Ratings / Certifications:
N/A
Runtime: 90
Jodie Carpenter is the owner of 'The Loft', her family's sail-making company located near quaint Redmond's Bay Marina. When luxury developer Charles Prescott purchases the port looking to carry out a lavish expansion, Jodie fears that her business and heritage will be torn down and replaced.
"B" Camera Operator:
Gavin Stroud
ADR Editor:
Natalie Fleurant
Sebastien Gervais
ADR Recordist:
Michael Logie
ADR Supervisor:
Oscar Burt-Shearer
Accountant:
Sonia Cunliffe
Art Department Assistant:
Alex Whitfield
Art Department Coordinator:
Ann Mahon
Art Direction:
Jo Schwartz
Assistant Accountant:
Karoline Morin
Mélanie Dallaire
Assistant Editor:
Melissa Paquet
Veronique Choquette
Andreanne Cousineau
Assistant Set Decoration:
Luca Montagni
Assistant Unit Manager:
Melissa Merkle
Associate Producer:
Gary Evans
Best Boy Electric:
Ben Montgomery
Best Boy Grip:
George Huhu
Boom Operator:
Kaveh Sharifian
Hannah Quell
Casting:
Greta Gregory
Casting Assistant:
Joe Witkowski
Colorist:
Marilène Clouâtre
Construction Manager:
Mike Harvey
Costume Assistant:
Riley Chambers
Costume Designer:
Tracey Sharman
Costume Supervisor:
Olive Cairns-Morrison
Dialogue Editor:
Mireille Morin
Digital Imaging Technician:
Luca Turner
Director:
Joshua Frizzell
Director of Photography:
Renaud Maire
Drone Operator:
Ben Ireland
Drone Pilot:
Brendon Dixon
Editor:
Glenn Berman
Executive Producer:
Jean Bureau
Ian Whitehead
Philly de Lacey
Extras Casting Coordinator:
Evelina Gailer
First Assistant "A" Camera:
Graham MacFarlane
First Assistant "B" Camera:
Kirsten Green
First Assistant Accountant:
Erin Dance
First Assistant Director:
Quentin Whitwell
Foley:
Maya Kuroki
Foley Artist:
Simon Meilleur
Foley Recording Engineer:
Jo Caron
Gaffer:
Blair Teesdale
Generator Operator:
Jackson Pretscherer
Graphic Designer:
Zoe Tollenaar
Grip:
Zac Snushall
Hairdresser:
Jean Hewitt
Key Grip:
Simon Jones
Key Makeup Artist:
Jean Hewitt
Lighting Technician:
Merv Mar
Eugene Loof
Location Assistant:
Cory Tatton
Location Coordinator:
Jahmella McKay
Location Manager:
Simon Pattullo
Makeup Artist:
Bridget Nulesi
Makeup Designer:
Paula Taylor
Music:
James Gelfand
Louise Tremblay
Music Editor:
Delphine Measroch
Online Editor:
Martine Rousseau
Post Production Supervisor:
Julien Tremblay
Angela DePalma
Producer:
Tina McLaren
Samantha Ellison
Bridget Bourke
Production Accountant:
Bronwyn Taylor
Desmond Kennedy
Production Design:
Sarah Cooper
Production Manager:
Claire Campbell
Production Secretary:
Jen Huang
Property Master:
Lee Foreman
Props:
Sol Harre
Script Coordinator:
Rick Cranford
Script Supervisor:
Louise Jones
Hayley Abbott
Second Assistant "A" Camera:
Jonathan Bowes-Onions
Set Decoration:
Donna Hanson
Set Dresser:
Grace Mok
Sound:
Hayden Washington-Smith
Sound Editor:
Alexis Pilon-Gladu
Sound Effects Editor:
Raymond Legault
Sound Re-Recording Assistant:
Stephanie Mercure
Sound Re-Recording Mixer:
Luc Boudrias
Standby Property Master:
Sophie Janus
Still Photographer:
Jai Frew
Supervising Sound Editor:
Michel B. Bordeleau
Third Assistant Director:
Chanelle Muirhead
Unit Manager:
Aaron Thorpe
Unit Publicist:
Mireille Houde
Visual Effects Coordinator:
Julie Pagé
Visual Effects Editor:
Isabelle Clermont
Sylvain Thibodeau
Visual Effects Producer:
Cynthia Mourou
Visual Effects Supervisor:
Hugo Léveillé
Writer:
John Banas
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.