Home

Enter Shikari: Live At Vada (2021) [N/A]

Release Date:
July 16, 2021

Original Title:
Enter Shikari: Live At Vada

Ratings / Certifications:
 N/A

Runtime: 41

Overview from TheMovieDB

"Live From Vada" is a live-in-the-studio film directed & edited by Tom Pullen, with audio produced by Rou Reynolds & Enter Shikari and mixed by Tim Morris. Vada Studios was the location for recording the initial tracking for the Nothing Is True & Everything Is Possible album, and its beautiful live room seemed like the ideal environment for revisiting some of those songs for their first ever fully live outing, along with some tracks from the back catalogue which haven't been performed live all that often. While a number of artists have live-streamed performances throughout the Covid-19 pandemic, the feeling amongst the Enter Shikari camp remains that an Enter Shikari show without an Enter Shikari audience isn't an Enter Shikari show. So, instead, everyone at ESHQ hopes you enjoy this rather more intimate live experience.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Performers

Click the heading above to show or hide the list.

Production

Director:
Tom Pullen

Editor:
Tom Pullen

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.