A work in constant progress (and occasional regress).
Release Date:
July 5, 1989
Original Title:
Weekend at Bernie's
Alternate Titles:
Bernie'de Haftasonu
Drie Dolle Dagen met een Dooie!
Fin de semana de locura
Weekend at Bernie's
Genres:
Comedy | Crime
Production Companies:
20th Century Fox
Gladden Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AU: M DE: 16 DK: 11 FR: U GB: 12 GR: 13 IE: 12 IT: T NL: 6 US: PG-13
Runtime: 97
Two young insurance corporation employees try to pretend that their murdered employer is alive by puppeteering his dead body, leading a hitman to attempt to track him down to finish him off.
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Art Direction:
Michael Novotny
Best Boy Electric:
Carl Johnson
Camera Operator:
Rick Bota
Edward Morey III
Casting:
Lynn Stalmaster
Construction Coordinator:
Gabriel C. Ell
Costume Design:
Nancy Butz
Director:
Ted Kotcheff
Director of Photography:
François Protat
Dolly Grip:
Kevin Whitlow
Editor:
Joan E. Chapman
Executive Producer:
Malcolm R. Harding
Robert Klane
First Assistant Camera:
Samuel Buddy Fries
First Assistant Director:
Henry J. Bronchtein
Gaffer:
Nick Nelson
Key Grip:
Kevin Wadowski
Key Hair Stylist:
Gunnar Swanson
Key Makeup Artist:
Barbie Palmer
Location Manager:
Sam Tedesco
Music Supervisor:
Richard Rudolph
Original Music Composer:
Andy Summers
Producer:
Bruce McNall
Victor Drai
Production Design:
Peter Jamison
Production Manager:
Cleve Landsberg
Property Master:
Vic Petrotta Jr.
Screenplay:
Robert Klane
Script Supervisor:
Connie Papineau
Second Unit Director:
Conrad E. Palmisano
Second Unit Director of Photography:
Frank M. Holgate
Set Decoration:
Jerie Kelter
Set Designer:
Keith Brian Burns
Dawn Serody
Special Effects Coordinator:
Joe Digaetano
Phil Cory
Still Photographer:
Phillip V. Caruso
Lynne Warberg
Stunt Coordinator:
Conrad E. Palmisano
Stunts:
Loren Janes
Thomas Rosales Jr.
Peter Bucossi
Roger Creed
Bruce Paul Barbour
Kerrie Cullen
Rick Seaman
Diamond Farnsworth
Dick Hancock
Greg Walker
Bobby Sargent
Rock A. Walker
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.