A work in constant progress (and occasional regress).
Release Date:
August 7, 2021
Original Title:
The 27-Hour Day
Alternate Titles:
26 Hour Day
27 Hour Day
Genres:
Comedy | Family | Romance | TV Movie
Production Companies:
Front Street Pictures
Hallmark Media
Hour Road Productions
Production Countries:
Canada | United States of America
Ratings / Certifications:
US: G
Runtime: 84
An entrepreneur takes a necessary break from developing her wellness brand empire and discovers that the work-life balance she needs won’t be easy. Will a new romance and relaxing retreat change her life forever?
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"A" Camera Operator:
Corey Tremblay
"B" Camera Operator:
Michelle Remnant
"C" Camera Operator:
Shawn Elgby
Animal Coordinator:
Connie Rusgen
Art Direction:
Fredy Mendoza
Assistant Costume Designer:
Brian Chan
Assistant Editor:
Amanda Colquhoun
Anna Chiyeko Shannon
Assistant Hairstylist:
Danielle Desrosiers
Ashley De Souza
Assistant Location Manager:
Nathan Hutton
Assistant Makeup Artist:
Hannah Osborne
Jo Archer
Assistant Property Master:
Ramelle Carroll
Assistant Set Decoration:
Karen Kruszel Heaps
Assistant Sound Editor:
Sean Szutka
Background Casting Director:
Laurie Pavon Solis
Best Boy Electric:
Andrew Livsey
Best Boy Grip:
Derek Poustie
Boom Operator:
Teo Van Raalte
Thierry Diab
Casting:
Penny Perry
Jackie Lind
Casting Assistant:
Tara Bell-Irving
Colorist:
Kipp Lightburn
Costume Designer:
Martin Spencer
Costume Set Supervisor:
Niki Chung
Craft Service:
Donna Barabas
Dialogue Editor:
Gina Mueller
Digital Imaging Technician:
Alessandra Hasselborg
Director:
David Winning
Director of Photography:
Shawn Seifert
Dolly Grip:
Mark Kent
Editor:
Jason King
Executive Producer:
Autumn Reeser
Linda Carolei
First Assistant "A" Camera:
P. Anton Seaman
First Assistant "B" Camera:
Thomas Kelly
First Assistant Director:
Bill Mizel
Foley Recording Engineer:
Rick Senechal
Gaffer:
Austin Poitras
Key Grip:
Shawn Elgby
Key Hair Stylist:
Alicia Chowen
Key Makeup Artist:
Geeta Dayal
Lead Set Dresser:
Anita Dujmovic
Location Manager:
Theresa Bodin
Music Coordinator:
Hollie Sanders
Music Supervisor:
Siân O'Byrne
Online Editor:
Cassandra Yaseniuk
Matthew Shuttleworth
Original Music Composer:
Cindy O'Connor
Payroll Accountant:
Gill Kennedy
Post Production Accountant:
Faiza Lalani
Post Production Coordinator:
Behnam Salimy
Moheb Jindran
Post Production Supervisor:
Sepideh Merchant
Producer:
Charles Cooper
Production Accountant:
Svatia Sakarova
Production Coordinator:
Mark Corbin
Production Design:
Jill Scott
Production Manager:
Geoffrey Dodd
Production Sound Mixer:
Tim Crich
Production Supervisor:
Bianca Versteeg
Property Master:
Francis Belanger
Props:
Zoe Cuvillier
Script Supervisor:
Natalie Catherine
Second Assistant "A" Camera:
Cary Golob
Second Assistant "B" Camera:
Giacomo Pastorino
Second Assistant Director:
Andrew Tran
Security Coordinator:
Sean Hanlin
Set Decoration:
Todd Boyko
Set Dresser:
Gurinder Jaspal
Sound Designer:
Craig George
Sound Re-Recording Mixer:
Joe Watts
Craig George
Still Photographer:
Hugh Tull
Third Assistant Director:
Rob Guthrie
Else Jespersen
Transportation Captain:
Ghilas Aiteur
Transportation Coordinator:
Dean Fitzpatrick
Truck Supervisor:
Sara Siraj
Visual Effects Supervisor:
Vishwas Kapoor
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.