A work in constant progress (and occasional regress).
Release Date:
September 21, 2011
Original Title:
L'Apollonide, souvenirs de la maison close
Alternate Titles:
Apollonide - Memórias de Um Bordel
Casa de placeres
Casa de tolerancia
Haus der Sunde
House of Tolerance
L'APOLLONIDEメゾン ある娼館
L'Apollonide Recuerdos del burdel
L'Apollonide: Os Amores da Casa de Tolerância
Souvenirs de la maison close
Tolerancijos namai
メゾン ある娼館の記憶
メゾン~ある娼館の記憶~
관용의 집
라폴로니드: 관용의 집
하우스 오브 톨러런스
Genres:
Drama
Production Companies:
ARTE France Cinéma
Les Films du Lendemain
My New Picture
Production Countries:
France
Ratings / Certifications:
CA: R DE: 16 FR: 12 GR: Κ-15 IE: 18 JP: R15+ KR: 18 US: NR
Runtime: 126
The dawn of the 20th century: L’Apollonide, a luxurious and traditional brothel in Paris, is living its last days. In this closed world, where some men fall in love and others become viciously harmful, the women share their secrets, their fears, their joys and their pains.
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Assistant Art Director:
Virginie Le Romain
Casting:
Richard Rosseau
Casting Associate:
Joanna Grudzinska
Coordinating Producer:
Veronica J. Valentini
Marie Darel
Costume Design:
Anaïs Romand
Director:
Bertrand Bonello
Director of Photography:
Josée Deshaies
Editor:
Fabrice Rouaud
First Assistant Director:
Elsa Amiel
Foley Artist:
Philippe Penot
Gaffer:
Marianne Lamour
Grip:
Ahmed Zaoui
Stéphane Gallou
Hairstylist:
Milou Sanner
David Carvalho Nunes
Key Grip:
Gaston Grandin
Key Hair Stylist:
Ferouz Zaafour
Makeup Artist:
Nathalie Tabareau
Jérôme Ventura
Makeup Supervisor:
Laure Talazac
Original Music Composer:
Bertrand Bonello
Producer:
Bertrand Bonello
Kristina Larsen
Production Design:
Alain Guffroy
Property Buyer:
Virginie Le Romain
Second Assistant Director:
Clément Comet
Set Dresser:
Catherine Werner Schmit
Sound Editor:
Nicolas Moreau
Sound Re-Recording Mixer:
Jean-Pierre Laforce
Sound Recordist:
Jean-Pierre Duret
Special Effects Makeup Artist:
Fabrice Herbet
Steadicam Operator:
Loïc Andrieu
Visual Effects Producer:
Sophie Denize
Béatrice Bauwens
Visual Effects Supervisor:
Cédric Fayolle
Writer:
Bertrand Bonello
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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