A work in constant progress (and occasional regress).
Release Date:
October 31, 2002
Original Title:
I Spy
Alternate Titles:
O Espião Sou Eu
Soy Espía
Én, a kém
Обмануть всех
אני מרגל
アイ・スパイ
Genres:
Action | Adventure | Comedy | Thriller
Production Companies:
C2 Pictures
Columbia Pictures
Sheldon Leonard Productions
Tall Trees Productions
Production Countries:
United States of America
Ratings / Certifications:
AT: 12 AU: M CH: 12 CZ: U DE: 12 FR: U GB: 12 GR: 13 HU: 12 IE: 12 JP: PG12 PT: M/12 US: PG-13
Runtime: 97
When the Switchblade, the most sophisticated prototype stealth fighter created yet, is stolen from the U.S. government, one of the United States' top spies, Alex Scott, is called to action. What he doesn't expect is to get teamed up with a cocky civilian, World Class Boxing Champion Kelly Robinson, on a dangerous top secret espionage mission. Their assignment: using equal parts skill and humor, catch Arnold Gundars, one of the world's most successful arms dealers.
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"A" Camera Operator:
David Crone
"B" Camera Operator:
Chris Harris
ADR Editor:
Susan Dudeck
Andrea Horta
ADR Mixer:
Doc Kane
Additional Editing:
Matthew Friedman
Armorer:
Rob Fournier
Art Department Assistant:
Melanie Cassidy
Art Department Coordinator:
Kerri Elliott
Art Direction:
Bo Johnson
Doug Byggdin
Assistant Art Director:
Barbara Wilson
Assistant Chief Lighting Technician:
Stuart Haggerty
Assistant Hairstylist:
Debra Wiebe
Assistant Location Manager:
Flemming Lund
Assistant Makeup Artist:
Gitte Axen
Assistant Property Master:
Brian Epp
Assistant Set Decoration:
Ignacio McBurney
Best Boy Grip:
Michael Lemmers
Boom Operator:
Jon Lavender
Casting:
Kathy Driscoll-Mohler
Francine Maisler
Characters:
Morton S. Fine
David Friedkin
Chief Lighting Technician:
Denis Brock
Color Timer:
Dennis McNeill
Construction Coordinator:
Charles Leitrants
Costume Design:
Ruth E. Carter
Dialogue Editor:
Alison Fisher
Jeena M. Phelps
Director:
Betty Thomas
Director of Photography:
Oliver Wood
Dolly Grip:
Brian Bouma
Rick Stadder
Editor:
Peter Teschner
Executive Producer:
Marc Toberoff
Warren Carr
David R. Ginsburg
First Assistant "A" Camera:
Thom Ryan
First Assistant "B" Camera:
Sean M. Harding
First Assistant Director:
Richard Graves
First Assistant Editor:
Tamara McDonough
First Assistant Sound Editor:
Tricia Linklater
Foley Artist:
Gary A. Hecker
Matthew Dettmann
Foley Mixer:
Brian Ruberg
Foley Supervisor:
Mark Pappas
Hairstylist:
Stacey Morris
Key Grip:
Tim Hogan
Key Hair Stylist:
Pauline L. Tremblay
Key Makeup Artist:
Norma Hill-Patton
Leadman:
Matt Reddy
Gordon Brunner
Line Producer:
Kornél Sipos
Location Manager:
Bruce L. Brownstein
Makeup Artist:
Fiona Connon
Vera Steimberg
Music Editor:
Stephanie Lowry
Richard Whitfield
Negative Cutter:
Mo Henry
Orchestrator:
Patrick Russ
Original Music Composer:
Richard Gibbs
Producer:
Betty Thomas
Mario Kassar
Andrew G. Vajna
Jenno Topping
Production Illustrator:
Brent Boates
Production Sound Mixer:
Rob Young
Property Master:
Grant Swain
Rigging Gaffer:
Jeff Hall
Screenplay:
David Ronn
Marianne Wibberley
Cormac Wibberley
Jay Scherick
Script Supervisor:
Benita Brazier
Second Assistant "A" Camera:
Justin Bergler
Second Assistant "B" Camera:
George Majoros
Second Assistant Director:
David Arnold
Set Decoration:
Elizabeth Wilcox
Sound Effects Editor:
Beau Borders
Peter Brown
Jason W. Jennings
Greg ten Bosch
Sound Re-Recording Mixer:
Greg Orloff
Gary C. Bourgeois
Sound Recordist:
Dennis Johnson
Special Effects Coordinator:
Tony Lazarowich
Still Photographer:
Bruce McBroom
Joseph Lederer
Story:
Cormac Wibberley
Marianne Wibberley
Storyboard Artist:
Raymond Consing
Stunt Coordinator:
Brent Woolsey
Stunt Double:
Jimmy N. Roberts
Stunts:
J.J. Makaro
Marny Eng
Nicole Randall
Angela Uyeda
Simone Bailly
Supervising Sound Editor:
Michael J. Benavente
Unit Production Manager:
Warren Carr
Unit Publicist:
Deborah Simmrin
Visual Effects Supervisor:
Carey Villegas
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.