A work in constant progress (and occasional regress).
Release Date:
August 13, 1993
Original Title:
Dollman vs. Demonic Toys
Alternate Titles:
Dollman V. Demonic Toys
Genres:
Fantasy | Horror | Science Fiction
Production Companies:
Full Moon Entertainment
Production Countries:
United States of America
Ratings / Certifications:
DE: 18 US: R
Runtime: 64
The Demonic Toys are back, so policewoman Judith Grey seeks the help of 12 inch tall Dollman and his 12 inch tall girlfriend, Nurse Ginger. The Toys hole up in an evil deserted toy factory and it's up to Dollman to keep the Toys from summoning the powers of darkness to the Earth.
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ADR Editor:
Sarah Brady
Additional Editor:
Lauren A. Schaffer
Animation:
David Allen
Art Direction:
Arlan Jay Vetter
Assistant Accountant:
Pauline Shillito
Assistant Makeup Artist:
Christl Colven
Assistant Production Coordinator:
Danielle Goodman
Best Boy Electric:
Bruce Jagoda
Best Boy Grip:
Jonathan Quade
Boom Operator:
William Ratcliffe
Scott Hamre
Camera Operator:
Aldo Antonelli
Carpenter:
Douglas Shaw
Ken Lucas
Scot T. Waldon
Casting Assistant:
Marykate Cunningham
Catering:
Gourmet Chabar
Color Timer:
Jim Williams
Construction Coordinator:
John Zachary
Costume Design:
Mark Bridges
Costume Supervisor:
Karen Abouab
Craft Service:
Cynthia H. Margulis
Laurel Schneider
Dialogue Editor:
Lauren Stephens
Bryan Azorsky
Director:
Charles Band
Director of Photography:
Adolfo Bartoli
Dolly Grip:
Dino Ramble
Editor:
Mark S. Manos
Electrician:
Antknee Hall
Eric Kramer
Ron Hoffman
Ian Robichaud
Executive Producer:
Michael Catalano
First Assistant Camera:
Regge Bulman
Scott Middleton
James Spratley
First Assistant Director:
Douglas Aarniokoski
First Assistant Editor:
Christopher Earl
Sherril Schlesinger
Foley Editor:
Doug Reed
Foley Mixer:
Eric Hoeschen
Gaffer:
Larry Roth
Grip:
Todd Olsen
Phillip Darlington
Chris Jourat
Key Grip:
Brett Drouet
Key Makeup Artist:
Palah Sandling
Key Set Production Assistant:
Martin L. Carlton
Leadman:
Todd Sterling
Makeup Artist:
Palah Sandling
Makeup Effects:
Michael Deak
Music:
Anthony Riparetti
Music Coordinator:
Keely Rene
Music Supervisor:
Pat Siciliano
Negative Cutter:
Chris Weber
Gary Weber
On Set Dresser:
Jim T. Graham
Original Music Composer:
Richard Band
Anthony Riparetti
Post Production Assistant:
Vic Hennegan
Post Production Coordinator:
Scott Shields
Post Production Supervisor:
Gretchen G. Wieland
Producer:
Charles Band
Production Accountant:
Cynthia Gates Fujikawa
Production Assistant:
Lori Ashcraft
David Rimer
Nick Monahan
Production Controller:
Jeffrey Court
Production Coordinator:
Leigh Shanta
Production Design:
Milo
Production Manager:
Mary Jasionowski
Production Sound Mixer:
D.J. Ritchie
Script Supervisor:
Linda Giffin-Citron
Kimberlee Ariel Fenkner
Sculptor:
Booka Bikar
Second Assistant Camera:
Jessica Bellone D'Altavilla
Chuck Baker
Pat Conrad
Perry Patterson
Second Second Assistant Director:
Cynthia H. Margulis
Second Unit Director:
Douglas Aarniokoski
Set Decoration:
Nicki Roberts
Sound Effects Editor:
Todd Orr
Adriane Marfiak
Special Effects Coordinator:
John P. Cazin
Steadicam Operator:
Aldo Antonelli
Still Photographer:
Michael Britt Hamby
Melissa Moseley
Story:
Charles Band
Storyboard Artist:
Pete von Sholly
Video Assist Operator:
Brad Grossman
Writer:
Craig Hamann
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.