A work in constant progress (and occasional regress).
Release Date:
November 6, 2021
Original Title:
Anonymous
Genres:
Drama
Production Companies:
Shell Out Productions
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
GB: 15
Runtime: 96
When a seemingly average man is struck with addiction he becomes anything but average. He becomes anonymous.
Art Department Assistant:
Kiran Mayur Patel
Assistant Set Decoration:
Victoria Radford
Assistant Sound Editor:
Tim Cummins
Associate Producer:
Karenina Angelique
Rachel Chamberlain
Jason Marrow
Parvinder Shergill
Boom Operator:
Nicholas Baker
Jake Lapworth
Catering:
Diane Fernandes
Co-Producer:
Graham Crosbie
Katerina Dimakopoulou
Emmy Khan
Scott Matthews
Digital Imaging Technician:
John McNally
Digital Intermediate Editor:
Panji Kaonga
Director:
Alasdair Mackay
Director of Photography:
Hamish Nichols
Editor:
Panji Kaonga
First Assistant Camera:
Andrew Curtis
First Assistant Director:
Top Tarasin
Gaffer:
Nathan Ford
Callum Gorniak
Health and Safety:
Sophia Chumber
Lighting Technician:
John McNally
Line Producer:
Stephen Maddox
Makeup Artist:
Marialuisa Cosentino
Makeup Department Head:
Molly Beharrell
Music Producer:
Alex Shenton
Original Music Composer:
Michael Llewelyn Barker
Post Production Supervisor:
Jason Marrow
Producer:
Alasdair Mackay
Juggy Sohal
Ash M. Warren
Production Designer:
Sean Patel-Gould
Props:
Sean Patel-Gould
Script Supervisor:
Alex Friberg
Second Assistant Camera:
Samuel Goulding
Set Decoration:
Sean Patel-Gould
Set Dresser:
Sean Patel-Gould
Victoria Radford
Sound Editor:
Rute Gomes
Sound Mixer:
Rute Gomes
Stunt Coordinator:
Luke Robinson
Zoe Purdy
Thanks:
Elizabeth Cowle
Christos Liberos
Chid Okeke
Wardrobe Supervisor:
Victoria Radford
Writer:
Alasdair Mackay
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.