A work in constant progress (and occasional regress).
Featuring:
Blanchard Ryan, Daniel Travis, Saul Stein
Written by:
Chris Kentis
Directed by:
Chris Kentis
Release Date:
October 26, 2003
Original Title:
Open Water
Alternate Titles:
Mar abierto
Otkrytoye more
Otvorena voda
V otkriti vodi
Ágrios Okeanós
Genres:
Drama | Horror | Thriller
Production Companies:
Lions Gate Films
Plunge Pictures LLC
Production Countries:
United States of America
Ratings / Certifications:
AT: 16 BR: 12 CH: 18 CZ: 15+ DE: 12 ES: 12 GB: 15 HU: 16 IE: 15 PL: 16 SE: 15 US: R
Runtime: 79
Two divers are left out at sea without a boat. There’s nothing but water for miles, unless they look at what’s underneath them...
A couple on a holiday in the Caribbean decide to spend the day on a scuba diving trip. But was it the wrong decision? When a mis-count happens on the boat, Susan and Daniel are left behind in the middle of the ocean, the boat long gone. With all their hopes set on the boat coming back to rescue them, they try to keep themselves safe, especially when sharks start to appear.
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Internet Movie Database | 5.8/10 |
---|---|
Rotten Tomatoes | 71% |
Metacritic | 63/100 |
Awards Won: | 2 wins & 6 nominations |
Additional Music:
Nathan Barr
Author:
Chris Kentis
Digital Color Timer:
Robert Luttrell
Digital Intermediate:
Matt Woo
Thomas Edmon
Director:
Chris Kentis
Director of Photography:
Chris Kentis
Laura Lau
Editor:
Chris Kentis
Executive Producer:
Estelle Lau
First Assistant Sound Editor:
Victor Ray Ennis
Foley Artist:
Diane Marshall
Foley Editor:
Kenneth L. Johnson
Foley Mixer:
Nerses Gezalyan
Music Editor:
Ashley Revell
Negative Cutter:
Jim Finn
Original Music Composer:
Graeme Revell
Post Production Assistant:
Corey Michael Lincoln
Producer:
Laura Lau
Sound Designer:
Tom Ozanich
Sound Effects Designer:
Jon Mete
Sound Effects Editor:
Ben Wilkins
Jon Mete
Sound Re-Recording Mixer:
Tony Lamberti
Todd Orr
Marc Fishman
Supervising Sound Editor:
Glenn T. Morgan
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.